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THE MADONNA COMPLEX

A gussied-up Jacqueline Susann novel for those who have not had the pleasure or the pain.

Plotboiler Bogner’s tenth novel (Honor Thy Wife, 1999, etc.) is actually a rewrite of a sex-and-shopping tale he published some 30 years ago, now “totally rewritten for the 21st century . . . and 25% shorter.”

Though it bristles with contemporary brand names, pop singers, art-world babble, Internet dot-com companies, and trendy Manhattan eateries, Bogner's story remains a 1970s sin-and-salvation mattress-pounder. Widowed, 50-something billionaire financier and wheeler-dealer Teddy Franklin has bought every pleasure he ever wanted until he meets Barbara Hickman, the daughter of a wine merchant whose business affairs Franklin had offered to restructure. Barbara, a United Nations translator, has a connoisseur's knowledge of big money passions and curves that would make men of a bygone era say hubba-hubba. Alas, she harbors dark feelings of worthlessness that inspire her to casual promiscuity with every man but Teddy, whose dazzlingly expensive acts of largesse (name-brand watch, name-location apartment, dinner at name restaurants, roses roses everywhere) leave her nonplused. She feeds his obsession by teasing him. Desperate to learn about her private life, Teddy pays his Latino crime boss buddy to burglarize the office of Barbara's psychiatrist. Faster than you can say “Watergate,” the burglary results in an accidental death. Teddy tries to buy off the victim's daughter and finally achieves bliss when Barbara throws underwear to the wind and tells him to “be diabolical with me.” After gloriously naughty sex and brand-name spending, they must learn that they truly love each other when Teddy finds himself blackmailed and then held for ransom in a remote corner of the Canadian frontier, with only Barbara to come to his rescue. Lumpy prose (“the hiss of sputtering bus fumes cannibalized the air”) and lurid glimpses of the high life seem the appropriate accouterments for this tiresome tale of mutual obsession between a wanton beauty and an odious old goat.

A gussied-up Jacqueline Susann novel for those who have not had the pleasure or the pain.

Pub Date: Aug. 1, 2000

ISBN: 0-312-87519-3

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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