A big-hearted, richly detailed chronicle of comedy, commitment and a long life lived fully.
A TV titan on his memorable life and storied career.
Lear, best known as the creative mind behind such classic comedies as All in the Family, Maude, The Jeffersons and Good Times, recounts his extraordinarily eventful life with his signature wit and irreverence. The result is not just a vividly observed and evocative portrait of a long life, but also a fascinating backstage look at the evolution of the American entertainment industry. Born to a charismatic and wildly unreliable con man—Lear’s father would miss a chunk of his son’s childhood serving a jail term for fraud—and an unaffectionate, self-obsessed mother, Lear flailed about in various unsuccessful ventures before teaming with friend Ed Simmons to write comedy, eventually penning sketches for the likes of Jack Haley, Martha Raye, Dean Martin and Jerry Lewis in the early heyday of television. After a stint as a film director and producer, Lear returned to TV to create the epochal series All in the Family, which famously brought sensitive political and social issues to the family hour. Lear’s other shows struck a similarly confrontational chord, explicitly discussing race, class, abortion and a host of other controversial topics. Lear’s analysis of network politics is astute and amusingly cynical, and his sketches of such legendary figures as Milton Berle are unsparing in their honesty. It’s not all showbiz; Lear writes movingly of his service in World War II, his difficult upbringing and subsequent troubled marriages, and his commitment to liberal causes, evidenced by his founding of the advocacy organization People for the American Way and his purchase of an original copy of the Declaration of Independence. That he makes these subjects as engrossing and entertaining as his Hollywood reminiscences speaks to Lear’s mastery of storytelling and humor.
A big-hearted, richly detailed chronicle of comedy, commitment and a long life lived fully.Pub Date: Oct. 14, 2014
ISBN: 978-1-59420-572-9
Page Count: 464
Publisher: Penguin Press
Review Posted Online: July 26, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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