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ANCIENT EVENINGS

Egypt, 1100 B.C.: a narrator without memory ("I still did not know who I was, nor how old I might be") finds himself in the Necropolis, in the tomb of young, dead nobleman Menenhetet the Second. . . and only slowly realizes that he is in fact "nothing but the poor Ka" (part of the soul) of Meni II. An unnerving, disorienting, promising beginning for this 700-page novel—but then, alas, the Ka of Meni II meets the Ka of his great-grandfather Meni I, a much-reincarnated High Priest who will be the primary narrator in the six long, lifeless sequences that follow. In "The Book of the Gods," Meni I offers a mini-history of Ra, Isis, Horus, Set, et al., seen in terms of "shit, blood-sacrifice, and fucking" (especially homosexual rape—a major preoccupation throughout the novel). In "The Book of the Child," Meni II remembers a childhood visit—with father, mother Hathfertiti, and Meni I—to Pharaoh Ramses IX, an endless evening during which Meni I tells the four-"Book" story of his previous existence in the bygone era of Ramses II: he is the Pharaoh's Charioteer and rape victim ("I was no longer myself but His, and loved Him. . . but I also knew I would never forgive him"); he's a leader in the Battle of Kadesh against the Hittites (powerful war scenes), indulging in cannibalism; he then becomes "Nanny of the harem," consorting in kinky rituals with the sorceress/ courtesan Honey-Ball (but also having threesies sex with the Pharaoh and a pig); next he's courtier/lover to Nefertiri, the Pharaoh's dumped queen ("you fucker, give Me your obelisk," she murmurs); eventually, in life #2, he'll become High Priest. And, while Meni I's reminiscences go on and on, Meni II's passive father sleeps (one can hardly blame him)—but the six-year-old Meni II himself becomes increasingly aware of the sexual cracklings in the air: the lust between Ramses IX and Hathfertiti, the sexual secrets of Meni I and Hathfertiti. . . and, above all, Meni II's own simmering "desire for my Mother" (they will indeed become lovers). Did Mailer's research into Ancient Egypt reveal a cultural fixation on Oedipal incest, fellatio, anal rape, and castration anxiety? Or is this a willful projection of Freudian preoccupations onto the world of the Pharaohs? Whichever the case, the result is oddly stagnant fiction—straining to conjure up a nexus between mysticism and sex. And though there are passages of vividly exotic Egyptology, along with a few of coarsely amusing anachronism, this flatly episodic epic most often seems embalmed in its own obsessions—with little to reward the many readets who'll be drawn by the Mailer name and the media interest.

Pub Date: April 25, 1983

ISBN: 0349109702

Page Count: 709

Publisher: Little, Brown

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: April 1, 1983

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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