by Norman Sherry ‧ RELEASE DATE: Oct. 1, 2004
Marked by sorrow and disappointment, but plenty of fascinating adventures. An exemplary biography, of profound interest to...
The third and final volume of Sherry’s superb life of the English novelist and man of letters, a monumental work published over the last 15 years.
The first moments of Sherry’s (Literature/Trinity Univ.) last installment find Graham Greene in middle age, and none too happy about it. His energies seem boundless: he is being published regularly, earning a fine income, smoking opium, being sought out for opinion and commentary. But the world is wearying Greene: here, ten years after the end of WWII and his work in the shadow world of military intelligence, he seems depressed at the apparent lack of adventure that has come with his success. Writes Sherry: “Journeys were Greene’s means of controlling depression. He often came out of melancholy with a sudden eagerness for new ventures.” The new ventures Sherry describes are many, worthy of volumes of their own (some of which Greene got around to writing): he travels to Vietnam, finding the material for The Quiet American, and to Cuba, capturing the Fidelista revolution in Our Man in Havana and, incidentally, smuggling socks and sweaters for the mountain-bound revolutionaries; he finds new love outside the house; he takes a place on the board of one of England’s best publishing houses and becomes a vigorous editor, acquiring Charlie Chaplin’s memoirs for publication. Chalk all this up to the legendary, emulation-worthy Greene. Sherry gives us another Greene, though, who is rather more disagreeable, beset, as a Catholic, by doubts over the existence of God, given to quarreling with protégés and admirers over trivial matters, so convinced of his greatness that he thinks nothing of overriding his fellow judges in a literary prize competition to champion a second-tier writer whose work just happens to resemble early Graham Greene. Not all shared Greene’s self-assessment, least of all the members of the Swedish Academy, who denied Greene the one thing he seemingly craved more than anything else: the Nobel Prize in literature.
Marked by sorrow and disappointment, but plenty of fascinating adventures. An exemplary biography, of profound interest to admirers of Greene’s work and to students of contemporary letters.Pub Date: Oct. 1, 2004
ISBN: 0-670-03142-9
Page Count: 880
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2004
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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