A thoughtful consideration of torrid intellectual disputes.

WHY SANE PEOPLE BELIEVE CRAZY THINGS

HOW BELIEF CAN HELP OR HURT SOCIAL PEACE

A philosophical analysis examines the nature of belief and the sources of contentious disagreement. 

Everyone seems to agree that contemporary society is plagued by a hostile divisiveness, political and cultural. Debut author Palmer argues that these intellectual cleavages are the result of deep misunderstandings about what it means to believe. Rather than private mental events, the author interprets belief largely from the perspective of public action, prioritizing behavior over purely intellectual commitment. In addition, he understands belief as a complex skein of motivating purposes—one believes something not only as an assertion of fact, but also as a display of solidarity or loyalty, as a means of psychological reassurance, or as a way to make sense of a morally ambiguous world. Highly intelligent people can become powerfully committed to positions that are both unclear and inadequately supported by evidence because in some sense that outlook is useful, performing a practical function that transcends the mere description of the world. Palmer expertly surveys the historical development of belief, furnishing a philosophical tour that pays close attention to religion. The author’s anatomy of religious commitment is one of the highlights of his impressively nuanced analysis—while in some sense, theological statements are so unempirical they seem meaningless, he contends such metaphysical leaps are a natural response to the human experience of the ineffable, and the longing for transcendence. Palmer also ably describes the neuroscience that undergirds belief formation, and the backdrop of humans’ evolutionary maturation. The author’s prose is surprisingly accessible given the abstractions he aims to clarify, and he navigates turbid academic waters with informality and light-handed grace. In addition, there isn’t a whiff of partisan ax-grinding to be found—this is an epistemological examination of intellectual conflict, not an expression of political loyalty. But while Palmer’s ultimate defense of tolerance as a virtue is rigorous, some of the solutions he offers seem incongruously simplistic. For example, can “alternate visual cues” like badges or uniforms distract people from more divisive ones like race? The author’s argument simply doesn’t make such a peculiar suggestion even intriguing, let alone plausible. 

A thoughtful consideration of torrid intellectual disputes.

Pub Date: N/A

ISBN: 978-0-692-15155-6

Page Count: 189

Publisher: Consilience Publishing, LLC

Review Posted Online: Sept. 14, 2018

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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