If music be the food of love, it is the staff of life for “the colored Mayfields” and their descendants over the next...

SOME SING, SOME CRY

Lyrical multigenerational novel by playwright/author Shange (We Troubled the Waters, 2009, etc.) and her playwright/set designer sister Bayeza.

If music be the food of love, it is the staff of life for “the colored Mayfields” and their descendants over the next century and a half. As the story opens, two of those Mayfields, Bette and her granddaughter Eudora, are departing their home, a South Carolina plantation called Sweet Tamarind, displaced by post–Civil War carpetbaggers who “had bought all the land and paid the white Mayfields a smidgeon of what it was worth and left the poor blacks high and dry.” It will not be the first indignity the black Mayfields are made to suffer, but they are a resourceful lot—and uncommonly blessed with the gift of song, masters of countless instruments and genres. That gift binds banjo-strumming Bette to seventh-generation descendant Tokyo Walker, a world-traveling singer of our own time who is not spared the task of battling injustices all her own: “Back taxes and a reputation for bad behavior had trailed her all the way to Botswana,” write the authors, but redemption of a sort finds her there as well. Shange and Bayeza account song as an instrument of resistance; for the generation of the age of ragtime, it heralds “the New Negro”; for another, it affords a means of escape to less racially fraught places (“America? You can have it,” says the expatriate Mitch after having found France a far more welcoming homeland than his native country); for all, it provides a potent means of self-expression. The authors range across centuries and continents, and to all appearances they’ve enjoyed the work of creating a world and peopling it with “lords, ladies, starlets, gigolos, gangsters, and aldermen—band leaders, bootleggers, and bag men—prophets, pigfoot hawkers, and professional partiers”—to say nothing of the blues shouters and balladeers of the Mayfield line.

Pub Date: Sept. 1, 2010

ISBN: 978-0-312-19899-2

Page Count: 576

Publisher: St. Martin's

Review Posted Online: July 21, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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