O’Faolain may be “almost there”—free of turbulence and waste, out of the wild hills and onto calm water—but she may also be...
With the same emotional spadework as in her bestselling Are You Somebody? (1998), O’Faolain turns over the past half decade to try understanding how and why they happened.
O’Faolain moves from her 50s to her 60s during these years, and she feels the narrowing of time and prospects. The narrative is broken into shortish segments, as if the charge of her thoughts quickly saps her energy, so hard do they burn. She is childless and alone at the start, having just ended one long-term relationship, though soon enough she launches a rather greedy affair with an older (and, as she’ll later discover, married) workingman (one senses she is tapping him for character material to use in a novel) and then starts a new love affair in America with a man named John. “One of the great things about this time of life,” she says, is “that good things matter to their fullest extent, because you know exactly how rare they are.” This includes, for her, the rekindling of society with her older siblings, friendships, and an alertness to the pleasures of animals and the natural world. But O’Faolain is one to worry the ambiguities and ambivalences in all that touches her life—shrewdly, artfully, without equivocation. There are obvious things: her alcoholic mother, family pain, the regrets of a spent—blown—youth, drinking too much, the disappearance of love, the place of women in Irish culture, the place of Ireland in her heart. And there are things you wish she’d leave well enough alone, like the minor problems with John (and, oh, how readers will pull for that relationship) that she picks at obsessively.
O’Faolain may be “almost there”—free of turbulence and waste, out of the wild hills and onto calm water—but she may also be constitutionally incapable of such a condition: there’s too much grit in her keen eye to let it rest easy upon the world.Pub Date: Feb. 24, 2003
ISBN: 1-57322-241-0
Page Count: 272
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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BOOK REVIEW
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BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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