by Nuala O’Faolain ‧ RELEASE DATE: March 1, 1998
An Irish woman reflects, with stunning honesty, on her country and her past. O'Faolain, a journalist for the Irish Times, was asked to collect her columns for publication, but the introduction she sat down to write eventually expanded into this beautifully cadenced and moving memoir, into which many of the columns have been folded. The second of nine children, O'Faolain lived a bohemian childhood with little money and many books. Her father, a well- known journalist in Ireland, left to her mother the responsibility for their children. O'Faolain's mother read voraciously and drank with a similar appetite, often neglecting her children. Nuala was sent to convent school at 14—this and her love of the written word are what saved her, she says. Her adult life at University College, Dublin, as a student and teacher, her studies at Oxford, and friends, family, lovers, and work are all examined with great frankness. Most importantly, O'Faolain explores the role of women in Ireland and how gender has affected her life. O'Faolain's candor made a deep impression when the book was published in Ireland; it quickly landed on the bestseller list, staying at the top for 20 weeks. As she explains in an afterword, ``hitherto silent voices . . . were just on the brink of speaking out. I was just slightly ahead.'' Readers of the US edition will be similarly moved. O'Faolain has had her share of love affairs (``my aim in life was something to do with loving and being loved''), and as she approaches 60, what is most poignant about her story is her coming to grips with being childless and alone: ``I would have been a very bad mother during most of my life.'' But, she adds regretfully, ``I'd be a good mother now.'' A testament to a full and passionately lived life—all the more affecting because of that life's vividly described imperfection and pain. (Author tour)
Pub Date: March 1, 1998
ISBN: 0-8050-5663-7
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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