by Olaf Olafsson ‧ RELEASE DATE: Aug. 16, 2022
A ruminative novel that's propelled by the narrator's psychological reflections.
A pandemic novel reunites an Icelandic man and a Japanese woman who had lost contact for a half-century after a brief but significant romance.
There is a lot going on in the mind of 75-year-old Kristófer, which is where most of this novel takes place. He has decided to close his successful restaurant, with Covid intensifying and no end to the lockdown in sight. He's lost his wife to an unspecified illness, and tension remains with his stepdaughter. A friend with whom he had been to school in London has just died. His brother both depends on him and nags him. And his doctor has ordered a brain scan, suspecting some cognitive issues. He tends to avoid what he would rather not confront and isn’t much for acknowledging his feelings, even to himself. As the first-person narrator, he is not the most reliable. Out of the blue he receives a Facebook message from Miko, the Japanese woman with whom he had fallen in love in London 50 years ago and who changed the course of his life before leaving him after a few months with no explanation or warning. Now she has the virus and is not sure she will survive it. In a novel that is a little too reliant on coincidence—that the death of Kristófer's friend from London and the reconnection with his girlfriend from London should happen concurrently—Kristófer decides without telling Miko that he will go see her in Japan, a journey that requires a stopover in London. It is there that he revisits his memories and recounts how he had forsaken his education, changed his life and his values during the radical late 1960s, and found his path forward after working at a restaurant with Miko that was owned by her father. They had identified with John and Yoko and explored the darker undercurrents of Hiroshima. Then she had left England, with her father, leaving no forwarding address. Why had she left? Why has she contacted him now? Will they have a future after 50 years apart?
A ruminative novel that's propelled by the narrator's psychological reflections.Pub Date: Aug. 16, 2022
ISBN: 978-0-06-322698-2
Page Count: 272
Publisher: Ecco/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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BOOK TO SCREEN
by Leigh Bardugo ‧ RELEASE DATE: Sept. 15, 2026
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
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New York Times Bestseller
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
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by Leigh Bardugo ; illustrated by Dani Pendergast
by Jodi Picoult ‧ RELEASE DATE: Sept. 15, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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