Provocative, powerful, breathtakingly beautiful.
Responding to the Russia-Ukraine war, Ukrainian artist Shatokhin’s wordless narrative offers a child’s-eye view of military conflict.
The story opens in black and white with a close-up that may be hard to identify at first: a single barbed-wire knot. Things clear up as the view pans to an outline of a child behind the fence, two knots hiding their eyes. The fence transforms into a menacing spider, and the child runs, trips, and falls. When they peer through their fingers, a single yellow butterfly has appeared. There is much for readers to interpret through conversations and multiple readings in these artfully designed pages, some with insets that focus attention, others with objects on facing pages that invite comparison, e.g., a missile and a tree jutting from the ground at similar angles. Several yellow butterflies flit above a bombed-out hole, and the child envisions a playground (past or future?) with happy friends; these images are formed with a minimum of lines against the white background. Shatokhin employs color, scale, perspective, and pattern to great effect in timely—and timeless—scenes that capture the protagonist’s fear, fury, frustration, and, ultimately, hope. Exquisite compositions depict a yellow swarm of butterflies becoming the child’s wings, lifting them to see a blue sky amid the destruction (yellow and blue being the colors of the Ukrainian flag). Useful backmatter includes information on sharing wordless books and discussing war with children. The child and other people portrayed are the white of the page. (This book was reviewed digitally.)
Provocative, powerful, breathtakingly beautiful. (Picture book. 5-12)Pub Date: Jan. 31, 2023
ISBN: 978-1-63655-064-0
Page Count: 72
Publisher: Red Comet Press
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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