Goldsmith follows The Bestseller (p. 768) with a light, contrived romance about a Jewish mother and her three unsettled children. Mom is Phyllis Geronomous (nÇe Phyllis Steen, so Geronomous seems a big improvement), and she lives in South Florida. While at 69, she's no longer young, she finds little appealing about the lifestyle of her many elderly neighbors, who restlessly patrol the local boardwalk and look forward only to early-bird dinners at the Rascal House. Dedicated to finding something a little less terminal, Phyllis bids farewell to her dead husband Ira at the cemetery—he doesn't answer, but he never said a lot when he was alive either—and returns to New York City to get into the hair of her unhappy children: Sigourney (nÇe Susan), a 40ish stockbroker whose business and love life are falling apart; gay Bruce, whose ``Queer Santa'' greeting-card line is failing and whose lover won't commit to marriage; and fat, whiny Sharon, whose husband Barney is a deadbeat. Guilty because she never had time to go to PTA meetings, Phyllis now wants to fix their lives. At the same time, they want her out of their hair and back with the palm trees. So, the three launch Operation Geezer Quest to find Phyllis a rich husband, complete with a Bergdorf Goodman makeover and a suite at the Pierre. Along the way, with enough Yiddish for a whole season of The Nanny, Phyllis doles out tough love and wise words. Finally, everyone's life is improved, and Mom begins her eighth decade with good sex, a large sapphire ring, and an offshore bank account in the Caymans. Some laughs and refreshing senior-citizen romance, but more like the outline for a TV sitcom than a novel. (Film rights to Paramount; Literary Guild Selection; $175,000 ad/promo; TV and radio satellite tours)
Pub Date: Nov. 20, 1996
ISBN: 0-06-018652-6
Page Count: 208
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1996
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to...
A small Tennessee mountain town is awash in sex and scandal in Belle’s first novel.
Gia Andrews, a disaster relief worker, is also a convicted murderer’s daughter. Her father, Ray, was convicted of killing his wife and Gia’s stepmother, Ella Mae, and sentenced to life in prison. But Ray is dying, and prison officials are releasing him on compassionate grounds; Gia’s uncle Cal, a prominent lawyer, has recruited her to return home from Kenya to care for her dad in his home in Rogersville. Despite the fact that she hasn’t seen her father since she left many years ago, she returns, believing her brother, Bo, and sister, Lexi, will help her, but she finds that neither wants anything to do with their father. Her nearest allies turn out to be the home-care worker Uncle Cal has hired, Fannie, and the new man she meets, a bar-and-grill owner named Jake. When Gia meets a law professor planning to write a book about wrongful convictions, he tells her he believes Ray didn’t kill Ella Mae and that Cal, who was Ray’s attorney, didn’t mount much of a defense. After looking into these allegations, Gia discovers her stepmother had an affair with another man and wonders whether her father could be innocent after all. While trying to unravel the mystery of who really killed Ella Mae, things heat up between Gia and Jake, and suddenly the mystery takes a whole new direction. Belle’s a smooth writer whose characters are vibrant and truly reflect the area where the novel is set, but the plot—while clever—takes a back seat to Gia’s and Ella Mae’s separate, but equally steamy, sexual exploits.
Thriller fans will find so much space devoted to Gia and Jake’s sexual acrobatics that little time is left for the plot to develop.Pub Date: Sept. 30, 2014
ISBN: 978-0-7783-1722-7
Page Count: 400
Publisher: Harlequin MIRA
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 1, 2014
The late (d. 1988), leathery, awesomely unstoppable (over 100 books still in print) L’Amour, still producing fluently from his grave (End of the Drive, 1997), offers one more gathering of unpublished tales, proving again that great writing laughs at death. Showing sheer contempt for slow openings, L’Amour’s seven newly discovered short stories offer some breath-catching first paragraphs echoing with the cold steel click of a Colt .45 hammer being cocked. The lead story, “The Man from Utah,” polishes L’Amour’s walnut prose to its glossiest grain. Bearing a fearsome reputation as a gunfighter, Marshall Utah Blaine arrives in Squaw Creek to investigate 14 recent murders (three were marshals) by a cunning bandit masquerading as an upright citizen. By a process of deduction, the shrewd Blaine narrows his suspects down until he has the killer. “Here Ends the Trail” opens with a High L’Amouresque Miltonic Inversion: “Cold was the night and bitter the wind and brutal the trail behind. Hunched in the saddle, I growled at the dark and peered through the blinding rain. The agony of my wound was a white-hot flame from the bullet of Korry Gleason.” This builds to an explosive climax that mixes vengeance with great-heartedness. “Battle at Burnt Camp,” “Ironwood Station” and “The Man from the Dead Hills” all live up to the melodrama of their blue-steel titles. “Strawhouse Trail” opens memorably with the line: “He looked through his field glasses into the eyes of a dying man.” And never lets up. The title novella tells of Lona Markham’s unwilling engagement to six-foot-five, 250-pound, harsh-lipped Frank Mailer, who has “blue, slightly glassy eyes.” Will Lance Kilkenny, the mysterious Black Rider, save her from indestructible Mailer? Stinging stories of powerful men against landscapes you can strike a match on.
Pub Date: May 11, 1998
ISBN: 0-553-10833-6
Page Count: 260
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
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