Entertaining fluff—and sure to sell.

BAD BOY

Clothes make the man . . . and the man makes the woman.

Or so thinks Seattle journalist Tracie Higgins, who keeps herself busy writing feature stories for a local newspaper, hanging out with an assortment of comical pals, and letting her slacker boyfriend Phil take advantage of her. When Tracie complains to her longtime best friend Jon, he wonders why women always fall for users and losers like Phil. Jon is a great guy who always does the right thing—from making a modest fortune in the city’s computer industry to visiting each of his several stepmothers and his own mom on Mother’s Day. But since he can’t get a date, he asks Tracie on a whim to make him over. She eagerly complies, tossing out his dorky khakis and company T-shirts in favor of unbuttoned black leather shirts and torn jeans, insisting that he get a sexy, spiky haircut, dubbing him Johnny in the name of ersatz badness, and setting him loose on the unsuspecting female population of Seattle. After some initial strikeouts, Jon hits pay dirt with Tracie’s buddy Beth, who announces some amazing news the very next morning: Jon is fabulous between the sheets. Tracie finally wises up and realizes what she’s been overlooking all these years. She’s in love. But will Jon believe it when a tell-all account of his makeover and subsequent bungling appears in the newspaper? Fresh and funny for the most part, although Goldsmith (The First Wives Club, 1992, etc.) supplies enough trendy cuteness to fill a shopping mall. And the story’s central conceit—that an intelligent, sensitive, kind, attractive, hard-working, loyal, rich guy who’s also great in bed would somehow be invisible to the opposite sex—boggles the mind and begs the question any post-teen female reader would scream at cheerfully oblivious Tracie: Are you crazy?

Entertaining fluff—and sure to sell.

Pub Date: Jan. 15, 2001

ISBN: 0-525-94558-X

Page Count: 336

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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