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BAD BOY

Entertaining fluff—and sure to sell.

Clothes make the man . . . and the man makes the woman.

Or so thinks Seattle journalist Tracie Higgins, who keeps herself busy writing feature stories for a local newspaper, hanging out with an assortment of comical pals, and letting her slacker boyfriend Phil take advantage of her. When Tracie complains to her longtime best friend Jon, he wonders why women always fall for users and losers like Phil. Jon is a great guy who always does the right thing—from making a modest fortune in the city’s computer industry to visiting each of his several stepmothers and his own mom on Mother’s Day. But since he can’t get a date, he asks Tracie on a whim to make him over. She eagerly complies, tossing out his dorky khakis and company T-shirts in favor of unbuttoned black leather shirts and torn jeans, insisting that he get a sexy, spiky haircut, dubbing him Johnny in the name of ersatz badness, and setting him loose on the unsuspecting female population of Seattle. After some initial strikeouts, Jon hits pay dirt with Tracie’s buddy Beth, who announces some amazing news the very next morning: Jon is fabulous between the sheets. Tracie finally wises up and realizes what she’s been overlooking all these years. She’s in love. But will Jon believe it when a tell-all account of his makeover and subsequent bungling appears in the newspaper? Fresh and funny for the most part, although Goldsmith (The First Wives Club, 1992, etc.) supplies enough trendy cuteness to fill a shopping mall. And the story’s central conceit—that an intelligent, sensitive, kind, attractive, hard-working, loyal, rich guy who’s also great in bed would somehow be invisible to the opposite sex—boggles the mind and begs the question any post-teen female reader would scream at cheerfully oblivious Tracie: Are you crazy?

Entertaining fluff—and sure to sell.

Pub Date: Jan. 15, 2001

ISBN: 0-525-94558-X

Page Count: 336

Publisher: Dutton

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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