Pleasant enough, but strictly for fans.
The late Goldsmith (The First Wives Club, 1992, etc.) sticks to the bestselling formula of women looking for love in her final book: sadly, a predictable, clichéd, and caricature-ridden portrait of a Manhattan career woman entangled by the outer-borough roots she tries desperately to leave behind.
Kate Jameson is nothing if not a snob. Raised in Brooklyn by a distant, alcoholic father, she’s moved beyond her childhood buddies Bina, Bev, Barbie, and Bunny—known collectively as “The Bitches of Bushwick”—and their single-minded desire for husband, children, and a blue velvet tufted couch. An Ivy League–educated therapist in a tony New York City school, our heroine lives in hip Chelsea, shops in chic Soho, and has the requisite gay man as her best friend and confidant. “It was true she described every tremor to Elliot and like a geophysicist, he had predicted when the earthquakes were coming to rock her world.” Kate manages to keep her old neighborhood girlfriends far away from her de rigueur Manhattan existence, until Bina Horowitz, who works in her podiatrist father’s office, turns up broken-hearted and hysterical when Jack, her fiancé of six years, decides despite the engagement ring bulging in his shirt pocket that he wants to “explore his singleness.” The plot twists and turns with the scheme to get Jack back. The plan? Brice, Elliot’s fashion-savvy partner, will gussy up Bina, who will then ensnare the eponymous and infamous Billy Nolan, owner of the Barber Bar in Brooklyn and “a living embodiment of male beauty.” Elliot, brilliant mathematician that he is, has uncovered statistics proving that every woman who dates Billy Nolan inevitably gets dumped and goes on to marry her soulmate. As Elliot and Brice invade the world Kate worked so hard to hide, she’s forced to reassess her personal relationships and uptight attitudes. All this leads, of course, to true love and happiness.
Pleasant enough, but strictly for fans.Pub Date: May 12, 2004
ISBN: 0-446-53110-3
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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