Lyrically written but underplotted debut, by a Britisher of Guyanese descent, in which a young woman’s growing sexuality parallels the deteriorating political situation in her native town. Kempadoo’s story, told in a sometimes challenging patois, is set in 1970s Guyana, run by autocrat Forbes Burnham and his henchmen. Lula, the young narrator, is filled with the burgeoning sensuality of incipient adolescence, but she is also aware of a larger and more menacing outside world that increasingly intrudes into Tamarind Grove. In chapters that are more episodic than narrative, Lula describes the local residents, her leftist parents (political activists opposed to Burnham), and the events that culminate in the family leaving Tamarind Grove. The townspeople, like the fruit of the large Buxton Spice mango tree that grows near Lula’s house, can be sweet, but they can also seem secretive and watchful. The town boasts four mad people—one of whom, Uncle Joe, the children like to tease—and three prostitutes, Bullet, Sugar Baby, and Rumshop Cockroach. The hookers” best customer is store-owner Ricardo DeAbro, of Portuguese descent like his wife, Emelda. Judy and Rachel DeAbro, their daughters, are Lula’s best friends. Together, the girls play games in which they pretend to be husbands and wives making love. While Lula dreams of being touched again by Iggy, who once felt her up in a deserted classroom, the political situation worsens. Burnham’s followers enroll local boys in a proto-fascist organization; police search Lula’s house and briefly arrest her mother. Childhood ends when Lula learns that Judy has been having a secret affair with an older man, and political tensions force her family to flee to England. A fine, strong, and original voice, but the story seems more like a preliminary sketch than a full-fledged novel.
Pub Date: May 1, 1999
ISBN: 0-525-94506-7
Page Count: 176
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1999
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
