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ILLICIT

Lots of hot, sexually edgy content and the promise of a romantic happily-ever-after may satisfy some readers in the intended...

Lindsay is invited to experience a weekend of sexual fantasy.

Weeks after Lindsay tells her best friend about the three sexy men she saw and fantasized about—in spine-tingling, toe-curling detail—in an elevator, she receives an invitation to experience a weekend of pure, sensual pleasure, including directions and a keycard. Convinced it’s a joke Jill is playing on her to lure her to a girls’ weekend, Lindsay shows up at the appointed time and place and is shocked to discover the three men from the elevator, who are interested in satisfying her every whim for 48 hours. At first uncertain, Lindsay is convinced by Erik—the most compelling of the three—to try, and she experiences pleasure like she’s never known. But Lindsay’s feelings for all three men—Erik, Connor and Travis, who share an apartment, strong, committed relationships and bisexual tendencies—grow remarkably strong in so short a time, and she’s devastated when Erik tells her one weekend is all there is. Connor and Travis know Erik likes Lindsay, but all three men are wary of throwing their unorthodox relationship off balance. Not for the faint of heart, this book has numerous graphic sexual scenes, and with three men and one woman, you would guess correctly that not all of the scenes are heterosexual. Carew is known for adding a compelling emotional dimension to erotica, and while there are hints of such factors in the story—a subtle psychic aspect to the plot, for instance, as well as the complicated relationship among the three men—they are never fleshed out fully or developed in a gripping way that truly enhances the plot.  And Lindsay, who believes an invitation to sexual fantasy is a joke set up by her best friend but never confirms the theory before she shows up, leaves us suspicious of her intelligence and common sense from the get-go.

Lots of hot, sexually edgy content and the promise of a romantic happily-ever-after may satisfy some readers in the intended erotic-romance audience.

Pub Date: Feb. 26, 2013

ISBN: 978-0-312-67462-5

Page Count: 288

Publisher: St. Martin's Griffin

Review Posted Online: Jan. 19, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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SEEING RED

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.

Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Pub Date: Aug. 15, 2017

ISBN: 978-1-4555-7210-6

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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