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IT BEGINS WITH TEARS

A debut novel offers a vibrant slice of Jamaican life shaped by old legends and timeless passions. Paralleling the tales of the men and women who live in Kristoff village is a folkloric account of life in an eternal version of the same village. There, She-Devil and Devil quarrel, make up, are visited by their family, and with help from God and the Angels prepare a wedding for their son. Altogether, their lives are not very different from those in Kristoff village: Husbands exasperate, wives are jealous, and children don't visit as much as they should. Down in real-time Kristoff, meanwhile, the spirits are as close at hand as the lush vegetation and bright sunshine and, through medicine women like Miss Cotton, often warn of trouble to come. And trouble is certainly on the way as Monica, who'd run away from the village when she was 14 because her parents were too strict, has decided to retire from prostitution and come back home. Still beautiful and sexy, though, she's not ready to settle down, and her flirtations with other women's husbands, not to mention her affair with the married Desmond, have horrific repercussions. Three angry wives devise a brutal punishment for her, for which they in turn are painfully punished. Villagers like Miss Cotton and Beryl welcome Rupert's African-American bride Angela, who, adopted by whites, also has a story to tell; they help Arnelle give birth and reconcile with Valrie, whose husband Godfree is the father of her child; and they mourn the dead. While the Devil family celebrates, Kristoff's women, led by Miss Cotton in a traditional ceremony, immerse themselves in the river and find peace as they confess their fears, hopes, and secrets. The men, who've spent the day together in the country, also renew boyhood friendships. ``All things,'' Miss Cotton observes, are now ``made right.'' A sometimes obtrusively schematic plot, but more than compensated for by rich textures and an exuberant vitality.

Pub Date: May 20, 1997

ISBN: 0-435-98946-4

Page Count: 239

Publisher: Heinemann

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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