A debut novel offers a vibrant slice of Jamaican life shaped by old legends and timeless passions. Paralleling the tales of the men and women who live in Kristoff village is a folkloric account of life in an eternal version of the same village. There, She-Devil and Devil quarrel, make up, are visited by their family, and with help from God and the Angels prepare a wedding for their son. Altogether, their lives are not very different from those in Kristoff village: Husbands exasperate, wives are jealous, and children don't visit as much as they should. Down in real-time Kristoff, meanwhile, the spirits are as close at hand as the lush vegetation and bright sunshine and, through medicine women like Miss Cotton, often warn of trouble to come. And trouble is certainly on the way as Monica, who'd run away from the village when she was 14 because her parents were too strict, has decided to retire from prostitution and come back home. Still beautiful and sexy, though, she's not ready to settle down, and her flirtations with other women's husbands, not to mention her affair with the married Desmond, have horrific repercussions. Three angry wives devise a brutal punishment for her, for which they in turn are painfully punished. Villagers like Miss Cotton and Beryl welcome Rupert's African-American bride Angela, who, adopted by whites, also has a story to tell; they help Arnelle give birth and reconcile with Valrie, whose husband Godfree is the father of her child; and they mourn the dead. While the Devil family celebrates, Kristoff's women, led by Miss Cotton in a traditional ceremony, immerse themselves in the river and find peace as they confess their fears, hopes, and secrets. The men, who've spent the day together in the country, also renew boyhood friendships. ``All things,'' Miss Cotton observes, are now ``made right.'' A sometimes obtrusively schematic plot, but more than compensated for by rich textures and an exuberant vitality.
Pub Date: May 20, 1997
ISBN: 0-435-98946-4
Page Count: 239
Publisher: Heinemann
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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