Back to the drawing board.
Ineptly written tale about two gay men whose lives intersect over the years.
Coming-of-age in Reno, Eric Hamilton and Cal Hewitt sense a powerful attraction to each other. In a park one day, Eric summons the courage to kiss Cal passionately and Cal recoils. The move was foolhardy, Cal protests, since it nearly sparked a beating from onlooking gay-bashers. Other forces prevent Cal from opening up to a relationship with Eric—in particular, Cal’s Christian fundamentalist parents and their homophobia. The men take separate paths. Eric embraces gay life in San Francisco in the ’80s as he fights through ACT UP for the rights of AIDS victims. Eventually frustrated by that group’s infighting, he travels to New York, where he quickly finds professional and personal success. He wins writing assignments from major magazines and the love and partnership of another man. Meanwhile, Cal takes a destructive course. Still closeted, he is able to have sex only when he’s on drugs (“He had resigned himself to his Sisyphean doom”). Soon he’s hustling the streets of San Francisco for drug money, eventually suffering a mental breakdown. Returned to Reno to recover, Cal learns that Eric has also come back home for healing after the death of his mother (from cancer) and of his boyfriend (from AIDS). Predictably, the two begin to forge a relationship. The point that many forces buffet gay love (or any love, for that matter) and that the love still survives is a strong one, however familiar. But rather than dramatize the theme, Outland (the nonfiction Coming Out, 2000, etc.) stalls his story with a seemingly interminable series of banal and ponderous authorial observations (“Power is addictive in the simplest sense, in that once addicted, you can never get enough”), clichés (“his writing . . . took wing”), stilted dialogue, and cumbersome sentences.
Back to the drawing board.Pub Date: Oct. 1, 2002
ISBN: 1-55583-763-8
Page Count: 256
Publisher: Alyson
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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