Finely textured character development almost compensates for a depressing tale.
A psychological novel explores two young men whose lives intersect in Los Angeles chaotically, emotionally, sexually, and violently.
In the book’s opening section, readers meet Clyde Koba, a second-generation Japanese-American and the narrator of the first part of this tale. It is 1973, and he is about to celebrate his 11th birthday. Before the night is over, his father comes home, abusively drunk as usual. Clyde tries to hide and winds up accidentally stepping on his beloved cat, breaking the feline’s back and killing him. Eventually, Clyde begins to display a violent streak, and his issues with sexual identity grow more overt. He becomes obsessed with Marilyn Monroe’s photographs and biography, convinced her spirit has been reincarnated in his body. Then the story takes on a third-person narrator and moves to another part of town, where 16-year-old Raphael Dweck has decided he is finished with his court-mandated psychotherapy. Three years ago, Raphael, a kleptomaniac, stole the silver breastplate of the Torah he had been studying for his bar mitzvah. Born in Israel, the Orthodox, observant Raphael immigrated to Los Angeles with his family eight years ago. But now his parents and rabbi decide the teen must find salvation by returning to Israel and living with a despised aunt. Ortega-Medina’s (Jerusalem Ablaze, 2017) graphic prose is vivid, especially when describing the Israeli desert: “The orb of the sun spits out swirls of colour as it dips westward, painting the purpling sky with reds and oranges, and splashing the edges of the crater with an ever-changing palette. Raphael…sketches furiously, trying to capture something of the devolving landscape as the colours intensify, and a warm wind kicks up from the desert floor.” The author’s deft construction of this complex plot reflects his experience in creating short stories. He concentrates first on Clyde, then on Raphael. Finally, the tale jumps ahead to 1982, several years after Raphael (now Ralph) returned to California. The two men’s paths become intertwined as they form a quirky, symbiotic relationship. Ralph, still searching for God, is the more manipulative of these two psychologically fragile, fully developed characters. Clyde, now cross-dressing as Monroe, is the more explosive and physically dangerous one. Ralph tells Clyde: “We’re all messed up, in one way or another. Every one of us. Damaged goods.” That could be this dark, disturbing novel’s subtitle.
Finely textured character development almost compensates for a depressing tale.Pub Date: June 21, 2019
ISBN: 978-1-999-5873-5-2
Page Count: 475
Publisher: Cloud Lodge Books
Review Posted Online: Feb. 25, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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