Swamps and streams, lightning and dogs all play a part in these beguiling, suggestive fables. The stories are of perfect...
Elegant, often elegiac sketches by Syrian-born writer Alomar, now a resident of Chicago.
“He was born with a silver knife in his mouth. And he was its first victim.” Thus, in its entirety, one of Alomar’s short stories, this one with the simple title “The Knife.” Others stretch out to a page, a few others a little more than that, but all are masterpieces of compression, presented with the generally unironic matter-of-factness of a fable that, no matter how improbable the circumstances, behaves perfectly well according to its own logic: that knife could be literal just as easily as metaphorical, considering the violence and mayhem of the world. The title story is a sly allegory about the human desire for—well, for better circumstances than most of us enjoy, anyway, the teeth of the comb standing for aspirations that, even when fulfilled, do not go unpunished. Occasionally Alomar goes full-tilt for the classical fable, letting animals and sometimes even plants stand in for human beings; when humans and the natural world meet, it is seldom to our credit, as when an ear of wheat beholds a throng of human ears on heads that “were bent before their tyrant leader” and mistakes their posture for a boon. No good deed goes unpunished, indeed; in one fable worthy of Kafka, a writer is made to sit on his pen in torture, and his blood turns blue in the bargain. “He became prominent…and slowly came to his senses,” Alomar writes, leaving us to guess whether the writer became complicit in the regime that afflicted him or came to his senses in some other way, pleasant or horrific.
Swamps and streams, lightning and dogs all play a part in these beguiling, suggestive fables. The stories are of perfect length, but one wishes the book went on for much longer.Pub Date: April 25, 2017
ISBN: 978-0-8112-2607-3
Page Count: 96
Publisher: New Directions
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
PROFILES
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
