This book is good news for Hijuelos fans, but considering its flaws, it's tantalizing to think of what it would have been...
Posthumous publication of an ambitious, atypical historical novel by the Pulitzer Prize–winning author.
When Hijuelos (The Mambo Kings Play Songs of Love, 1989, etc.) died of a heart attack in the fall of 2013, he had been working for more than a dozen years on this 19th-century epic concerning the unlikely but close friendship of two of the most famous men in America. They had met working on a riverboat, a couple of aspiring writers, well before one would travel to Africa in search of Dr. Livingstone and the other would become a beloved humorist under the pen name of Mark Twain. Since Hijuelos has long been known for voluptuary narratives of Cuba and Cuban America, filled with song and sex, the Victorian primness of the various tones he employs here stands in stark contrast (though a trip to Cuba proves pivotal). The novel encompasses long stretches of unpublished manuscripts purportedly written by Stanley and his wife, as well as extended correspondence between each of them and Twain. Stanley had been an orphan taken under the wing of a benefactor (whose surname the young man took), and there’s a sense throughout that the way Stanley portrays his life is not the way it actually transpired. With Stanley’s health and that of Twain’s wife in parallel decline, there’s a hint of romantic triangle, what Dorothy Stanley calls “some kind of autumnal infatuation,” though history left that attraction unrequited, as she remarried shortly after her husband’s death. The meditations on time and death in the book’s last third are particularly poignant given the author’s own untimely passing, but the whole of the novel is unwieldy, with awkward dialogue (“I am wondering what you can tell me about yourself”) and juxtapositions (a section titled “Clemens in That Time” follows Lady Stanley’s extended account of her husband’s death). An Afterword by Hijuelos' widow explains that he was working on the novel up to his death, having written “thousands of pages that he attempted to winnow down to publishable size, even as he continued to expand upon the story.”
This book is good news for Hijuelos fans, but considering its flaws, it's tantalizing to think of what it would have been like if the author had managed to finish it himself.Pub Date: Nov. 3, 2015
ISBN: 978-1-4555-6149-0
Page Count: 480
Publisher: Grand Central Publishing
Review Posted Online: Aug. 2, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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