Well intended and of some interest to fans, but a footnote in musical and pop-myth history.
The daughter of the late singer aims to set the record straight on a score or two.
Though Cass Elliot (1941-1974) died from a heart attack, an urban legend immediately arose that Elliot—well known for her weight and the object of countless fat jokes, some embedded in the lyrics of the Mamas & the Papas—asphyxiated on a ham sandwich. Elliot-Kugell, the daughter of Elliot and a man who briefly played bass for the group, recounts the short life she knew with her mother and the bereavement that followed. Some of this material comes from other sources, although she was on the scene. One interesting anecdote: She was but six months old gnawing on one of Henry Diltz’s film canisters when Cass engineered the meeting that would produce Crosby, Stills & Nash; their sound “was first imagined by my mom, who instinctively knew what her three friends were capable of creating.” By this account, it’s clear that Elliot was troubled, as was her daughter, packed off to a boarding school that practiced what the denizens called “the Thorazine shuffle.” Much of the narrative is rather by the numbers, and the prose is largely workmanlike: “To millions of her fans, she was known as ‘Mama’ Cass Elliot, the Earth Mother figure of the Los Angeles hippie scene of the late 1960s. But to me, she was just my mom.” While her quest to discover the source of the ham-sandwich canard takes a surprising turn, to say nothing of her search for her biological father, of greater interest are her devoted efforts to carve out her own career in music, hampered by conglomerate mergers and the industry’s demand for big-ticket stars in place of long-tail artists.
Well intended and of some interest to fans, but a footnote in musical and pop-myth history.Pub Date: May 7, 2024
ISBN: 9780306830648
Page Count: 304
Publisher: Hachette
Review Posted Online: Feb. 14, 2024
Kirkus Reviews Issue: March 15, 2024
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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