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PERFECT TIMING

An angst-filled love story about the value of growth and understanding.

A comedian and a musician just might be a perfect match, if only they can get the timing right.

Jess Henson meets Tom Delaney when he literally runs into her, knocking her to the ground outside an Indian restaurant in Edinburgh. She’s an up-and-coming comedian who dreams of having her big break, while he’s in a band that hopes to find success. Despite their movieworthy meet-cute, Tom runs off, squashing any hope for a romance. They meet again when they’re both featured at an artist showcase. They each have their own problems—Jess has a distrust of most people because her dad split when she was a kid, while Tom has severe anxiety that causes him to say the wrong things, self-medicate with alcohol, and even make up a fake girlfriend so his band mates won’t think he’s pathetic—but despite their communication problems, they feel a connection and spend a perfect evening together. That is, until they get jumped by some drunk football fans and Tom ends up in the hospital. Jess comes along, but then Tom’s best friend shows up and mentions Tom’s (fake) girlfriend. Tom is too doped up on painkillers to set the record straight, and Jess leaves, thus beginning a yearslong string of near misses and almost-kisses for Jess and Tom. Each time they reconnect, there’s something in the way—Jess’ bitterness, Tom’s anxiety, one of them seeing someone else. As their careers take off, they both have to figure out exactly what success means for them—and whether it involves each other. Nicholls writes with warmth and humor, giving Jess and Tom fully developed lives, friends, and families. It’s satisfying to watch them grow over the years, though the personal failings that keep them apart can be frustrating to read as their would-be relationship stalls again and again. Nicholls isn’t afraid to let Tom and Jess get mean and deal with personal tragedy (such as Tom’s musician grandfather’s death, Tom’s alcoholism and anxiety, and Jess’ relationship with her absent father), giving the story a realism that anchors the lighter aspects of their romance.

An angst-filled love story about the value of growth and understanding.

Pub Date: Sept. 7, 2021

ISBN: 978-1-984826-89-3

Page Count: 384

Publisher: Dell

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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PROPHET SONG

Captivating, frightening, and a singular achievement.

As Ireland devolves into a brutal police state, one woman tries to preserve her family in this stark fable.

For Eilish Stack, a molecular biologist living with her husband and four children in Dublin, life changes all at once and then slowly worsens beyond imagining. Two men appear at her door one night, agents of the new secret police, seeking her husband, Larry, a union official. Soon he is detained under the Emergency Powers Act recently pushed through by the new ruling party, and she cannot contact him. Eilish sees things shifting at work to those backing the ruling party. The state takes control of the press, the judiciary. Her oldest son receives a summons to military duty for the regime, and she tries to send him to Northern Ireland. He elects to join the rebel forces and soon she cannot contact him, either. His name and address appear in a newspaper ad listing people dodging military service. Eilish is coping with her father’s growing dementia, her teenage daughter’s depression, the vandalizing of her car and house. Then war comes to Dublin as the rebel forces close in on the city. Offered a chance to flee the country by her sister in Canada, Eilish can’t abandon hope for her husband’s and son’s returns. Lynch makes every step of this near-future nightmare as plausible as it is horrific by tightly focusing on Eilish, a smart, concerned woman facing terrible choices and losses. An exceptionally gifted writer, Lynch brings a compelling lyricism to her fears and despair while he marshals the details marking the collapse of democracy and the norms of daily life. His tonal control, psychological acuity, empathy, and bleakness recall Cormac McCarthy’s The Road (2006). And Eilish, his strong, resourceful, complete heroine, recalls the title character of Lynch’s excellent Irish-famine novel, Grace (2017).

Captivating, frightening, and a singular achievement.

Pub Date: Dec. 5, 2023

ISBN: 9780802163011

Page Count: 320

Publisher: Atlantic Monthly

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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