Next book

LOVE, LOSS, AND WHAT WE ATE

A MEMOIR

An intimate, revealing portrait, far different from the woman blazoned in the tabloids.

In an absorbing memoir, Lakshmi (Tangy Tart Hot and Sweet: A World of Recipes for Every Day, 2007, etc.), host of Top Chef, cookbook author, fashion columnist, and coveted supermodel, focuses more on love and many wrenching losses than on glamour and glitter.

Born in India, Lakshmi came to the United States when she was 4, flying alone to New York to join her mother. Although struggling financially, her mother, who reminded her that “beauty is not an accomplishment,” always managed to send the author back to India each summer, where she lived with her doting grandparents. Her family, their culture, and especially the food they shared (the book includes a few recipes) were crucial to her identity. Encouraged to work hard in school, she majored in theater arts at Clark University but had no clear career goals. She never thought she was particularly beautiful, and growing up in the U.S., she came to believe that “lighter skin is equivalent to a more attractive, worthier self.” Modeling happened by accident, during a stay in Europe, but once launched, Lakshmi found great success. In Europe, she embarked, also, on the first of several important relationships. The author realizes she always sought “a mentor, an older, wiser man” to make up for the absence of her own father, but it seems she was also attracted to wealth and power. Her European lover was urbane, cultivated, and rich. Later, she married Salman Rushdie, but they divorced after several rocky years. Lakshmi was intent on pursuing her TV career, while Rushdie expected her presence as he traveled the world as a literary star. Health issues also interfered: diagnosed with endometriosis, she required several surgeries during which Rushdie, self-absorbed, offered little support. Two men—a billionaire financier and philanthropist and a venture capitalist—came into her life later, one fathering her daughter.

An intimate, revealing portrait, far different from the woman blazoned in the tabloids.

Pub Date: March 8, 2016

ISBN: 978-0-06-220261-1

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: March 11, 2016

Next book

MY NAME IS PRINCE

A dazzling visual homage to a music icon gone too soon.

A Los Angeles–based photographer pays tribute to a legendary musician with anecdotes and previously unseen images collected from their 25-year collaboration.

St. Nicholas (co-author: Whitney: Tribute to an Icon, 2012, etc.) first met Prince in 1991 at a prearranged photo shoot. “The dance between photographer and subject carried us away into hours of inspired photographs…and the beginning of a friendship that would last a lifetime.” In this book, the author fondly remembers their many professional encounters in the 25 years that followed. Many would be portrait sessions but done on impulse, like those in a burned-out Los Angeles building in 1994 and on the Charles Bridge in Prague in 2007. Both times, the author and Prince came together through serendipity to create playfully expressive images that came to represent the singer’s “unorthodox ability to truly live life in the moment.” Other encounters took place while Prince was performing at Paisley Park, his Minneapolis studio, or at venues in LA, New York, Tokyo, and London. One in particular came about after the 1991 release of Prince’s Diamonds and Pearls album and led to the start of St. Nicholas’ career as a video director. Prince, who nurtured young artists throughout his career, pushed the author to “trust my instincts…expand myself creatively.” What is most striking about even the most intimate of these photographs—even those shot with Mayte Garcia, the fan-turned–backup dancer who became Prince’s wife in 1996—is the brilliantly theatrical quality of the images. As the author observes, the singer was never not the self-conscious artist: “Prince was Prince 24/7.” Nostalgic and reverential, this book—the second St. Nicholas produced with/for Prince—is a celebration of friendship and artistry. Prince fans are sure to appreciate the book, and those interested in art photography will also find the collection highly appealing.

A dazzling visual homage to a music icon gone too soon.

Pub Date: Nov. 19, 2019

ISBN: 978-0-06-293923-4

Page Count: 384

Publisher: Amistad/HarperCollins

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

Next book

HARD CHOICES

Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The...

Former Secretary of State Clinton tells—well, if not all, at least what she and her “book team” think we ought to know.

If this memoir of diplomatic service lacks the preening self-regard of Henry Kissinger’s and the technocratic certainty of Dean Acheson’s, it has all the requisite evenhandedness: Readers have the sense that there’s not a sentence in it that hasn’t been vetted, measured and adjusted for maximal blandness. The news that has thus far made the rounds has concerned the author’s revelation that the Clintons were cash-strapped on leaving the White House, probably since there’s not enough hanging rope about Benghazi for anyone to get worked up about. (On that current hot-button topic, the index says, mildly, “See Libya.”) The requisite encomia are there, of course: “Losing these fearless public servants in the line of duty was a crushing blow.” So are the crises and Clinton’s careful qualifying: Her memories of the Benghazi affair, she writes, are a blend of her own experience and information gathered in the course of the investigations that followed, “especially the work of the independent review board charged with determining the facts and pulling no punches.” When controversy appears, it is similarly cushioned: Tinhorn dictators are valuable allies, and everyone along the way is described with the usual honorifics and flattering descriptions: “Benazir [Bhutto] wore a shalwar kameez, the national dress of Pakistan, a long, flowing tunic over loose pants that was both practical and attractive, and she covered her hair with lovely scarves.” In short, this is a standard-issue political memoir, with its nods to “adorable students,” “important partners,” the “rich history and culture” of every nation on the planet, and the difficulty of eating and exercising sensibly while logging thousands of hours in flight and in conference rooms.

Unsurprising but perfectly competent and seamlessly of a piece with her Living History (2003). And will Hillary run? The guiding metaphor of the book is the relay race, and there’s a sense that if the torch is handed to her, well….

Pub Date: June 10, 2014

ISBN: 978-1-4767-5144-3

Page Count: 656

Publisher: Simon & Schuster

Review Posted Online: June 13, 2014

Kirkus Reviews Issue: July 1, 2014

Close Quickview