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A LITTLE MORE ABOUT ME

A collection of essays, most of which have appeared elsewhere, by novelist (Waltzing the Cat, 1998, etc.) and adventurer Houston. She writes well. She also skis, rafts, tracks, rides, and climbs well, though often, she claims, people mistake bravado for skill. The combination of her writing ability and her physical endeavors has made her an oft-published writer in a range of venues whose content usually seems, if not diametrically opposed, then at least unrelated, such as Allure magazine and the anthology Women on Hunting. This juxtaposition is what makes her current collection of autobiographical essays stand out from the endless flow of memoirs still coming down the pike. Houston’s exploration of personal trauma, such as problems with childhood, self-esteem, body image, and relationships may seem sadly familiar, but her methods of dealing—or not dealing—with them do not, whether that means risking life and limb guiding hunters in Alaska, hiking Mt. Timpanagos, or whitewater rafting in flood season. The collection is hit-and-miss— some of the essays, like “In Bhutan, There Is No Way To Be Famous,” are truly extraordinary in their descriptive power and insight, while others, such as “The Morality of Fat,” would seem more appropriate in a fashion magazine than here. The book would have benefited from some judicious editing, since there’s a redundant quality to some of these pieces. Ultimately, though, when Houston notes that “my need to write the things that terrify me is matched only by my desire to write the things that surprise and delight,” it’s clear that’s she’s satisfied both requirements. (Author tour)

Pub Date: Sept. 1, 1999

ISBN: 0-393-04805-5

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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