Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s...


Houston’s second novel (Sight Hound, 2005, etc.) combines thinly disguised travel essays with a new age romance as her heroine travels the world with one lover, then more or less settles down for another.

Narrator Pam is a California professor with a very flexible schedule, seemingly unlimited financial resources and an itch for roaming. Over 100 brief chapters follow her to various exotic locations, from Alaska to Bhutan to Patagonia to Tunisia, to name just a few—after a while the places begin to run together—where she gets to know the locals, enjoys the local food and usually has a lively adventure or inner awakening. Sometimes fearless, sometimes scared to death, the narrator (whose identity reads close to the author’s) doesn’t take herself too seriously during these quests, which often include near-death experiences, and she skillfully captures the essence of each place she visits. The descriptions of her plane rides, and aviation near-disasters, are often hilarious. But less humorous are the relationship issues Pam is working out as she approaches 50. She brags annoyingly about her many, many friends, including semi-famous literary ones, although none develop into actual characters—another case of names running together. But Pam’s romantic history is problematic. Her past includes a dead lover she idealizes. Her present, as the book opens, includes Ethan, a womanizing jerk whom women find incredibly desirable despite his lack of a discernable personality. After their drawn out breakup, she goes on a series of snidely described bad dates before she meets Rick, a “highbrow hick” with a Masters in philosophy and religion who makes custom wood flooring for a living. To Pam, he is the perfect mix of redneck and new age cowboy. The hitch is his 8-year-old daughter and his complicated connection to his ex-wife. Can Pam balance her need to explore the world with her desire for intimacy with homebound Rick?

Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s fiction.

Pub Date: Feb. 6, 2012

ISBN: 978-0-393-08265-4

Page Count: 320

Publisher: Norton

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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