A beautifully rendered work wrought with enormous care and sense of compassionate dignity.



An intimately detailed look at the agony of a Japanese-American family struggling to maintain American loyalty amid discrimination and war.

Historian and teacher Sakamoto weaves a richly textured narrative history of the Fukuhara family, who moved from Hiroshima to Auburn, Washington, in 1926. However, financial issues after the death of the father forced them to move back in 1933. Somewhat typically at the time, the family was made up of the first-generation immigrants—businessman Katsuji and homemaker Kinu—and their five American-born children. The two eldest, Mary and Victor, were sent back to Hiroshima to help their aunt in her lucrative candy-making business, then subsequently returned to the U.S. as teenagers, culturally confused kibei whose English had been mostly forgotten. Harry, the spirited middle son and the one most thoroughly Americanized, was not happy about the move back to Japan, though his five-year stay allowed him the language immersion that would be invaluable during World War II, when, interned with his sister Mary at the Gila River Relocation Center, Arizona, in the fall of 1942, he was plucked by the Army for intelligence translation in the Pacific theater. The Japanese-speaking author offers fascinating research into the lives of these conflicted immigrants. At the time, Japanese-American youth who served in the Japanese army automatically relinquished their American citizenship, which Harry, by moving back to the U.S. at age 18, refused to do, unlike his other brothers. The specter of the atomic bomb hovers ominously over the narrative, and while most of the Hiroshima family managed to survive, the physical and psychological scarring were gruesome and lasting. American soldier Harry’s resolution to return to Japan in October 1945 to find his family forms a poignant closure to this remarkable tale.

A beautifully rendered work wrought with enormous care and sense of compassionate dignity.

Pub Date: Jan. 5, 2016

ISBN: 978-0-06-235193-7

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 23, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.



Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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