by Panayotis Cacoyannis ‧ RELEASE DATE: Feb. 13, 2023
A humorous and entertaining character study of two brothers besieged by the preposterous.
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In this lightly absurdist comedy, fraternal twin brothers find their lives upended by a narcissistic writer and exacerbated by their unresolved rivalry.
Jay and George Raven are a curious and contentious pair of siblings living in North London. The foulmouthed George is a celebrity biographer who flamboyantly reinvents his subjects’ lives for his readers. All he says and does is equal parts clever and crushing, and he rarely lets up on his brother for being born mere minutes before he was. In contrast, Jay is a librarian and serial apologizer, envious of George’s good looks and his confidence as a gay man. These are the reasons he’s never come out himself, and in fact Jay denies he’s gay despite his brother’s insistence that he is. Still, Jay is excited about “the event,” a meet-up with a man, supposedly a stranger, whom he will join naked in bed for just a conversation, an odd yet enticing interview George has set up. But the night before the event, George’s beautiful friend Bendy Andy, who spends time dressing as a stunning Marilyn Monroe with a Meryl Streep nose, introduces the siblings to a popular writer named Ben Eversham. Ben claims to be a fan of George’s but greets him with contempt, exposing himself as a compulsive liar. Ben quickly entangles Jay in a night of coincidences and mysteries involving the proprietors of a local cafe, escorts, organized crime, and two name-dropping police officers. The event is equally surprising for Jay, as the man in the bed turns out to be his brother’s best friend, Tom, “George’s only love.” But Tom is also a lost love of Jay’s—a situation George paradoxically orchestrates but also seethes with contempt over. Early on, George notes that “nonsense is the meaning of life,” a welcoming nod to the good time that awaits readers.
Cacoyannis’ novel recalls Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead in that beyond one uproarious moment when Jay and Andy have to stop George from hanging Ben with a makeshift noose, much of the action takes place offstage. The characters’ interpersonal conflicts and the fallout of Ben’s unscrupulous conduct are dealt with in the book’s consuming, sometimes volatile dialogue. But it is not just what the characters say that charms in each scene. Even minor acts, such as ordering drinks at a restaurant, reveal much about the players through their tics, pauses, and silences with an impressive thrift. The story employs a subtle absurdism in its comedy, crafting a world that could almost be real (most of these characters are writers, models, and artists, after all) save for the overwhelming volume of fun coincidences that even later disclosures cannot completely explain. One revelation encompasses a drunken automobile accident, a rare tonal misstep that goes largely unresolved. The tragedy seems far too grave because it directly involves George as opposed to the often comedic, criminal debauchery of Ben. Yet in a book of big, farcically dramatic moments, such as the fighting over the noose, Ben’s projectile vomiting, and Jay’s fainting from the heat like a Victorian protagonist, this level of seriousness is largely left by the wayside for more amusing fumblings by the brothers and their lovers.
A humorous and entertaining character study of two brothers besieged by the preposterous.Pub Date: Feb. 13, 2023
ISBN: 9798373946506
Page Count: 264
Publisher: Self
Review Posted Online: Jan. 16, 2023
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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