by Panayotis Cacoyannis ‧ RELEASE DATE: Feb. 13, 2023
A humorous and entertaining character study of two brothers besieged by the preposterous.
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In this lightly absurdist comedy, fraternal twin brothers find their lives upended by a narcissistic writer and exacerbated by their unresolved rivalry.
Jay and George Raven are a curious and contentious pair of siblings living in North London. The foulmouthed George is a celebrity biographer who flamboyantly reinvents his subjects’ lives for his readers. All he says and does is equal parts clever and crushing, and he rarely lets up on his brother for being born mere minutes before he was. In contrast, Jay is a librarian and serial apologizer, envious of George’s good looks and his confidence as a gay man. These are the reasons he’s never come out himself, and in fact Jay denies he’s gay despite his brother’s insistence that he is. Still, Jay is excited about “the event,” a meet-up with a man, supposedly a stranger, whom he will join naked in bed for just a conversation, an odd yet enticing interview George has set up. But the night before the event, George’s beautiful friend Bendy Andy, who spends time dressing as a stunning Marilyn Monroe with a Meryl Streep nose, introduces the siblings to a popular writer named Ben Eversham. Ben claims to be a fan of George’s but greets him with contempt, exposing himself as a compulsive liar. Ben quickly entangles Jay in a night of coincidences and mysteries involving the proprietors of a local cafe, escorts, organized crime, and two name-dropping police officers. The event is equally surprising for Jay, as the man in the bed turns out to be his brother’s best friend, Tom, “George’s only love.” But Tom is also a lost love of Jay’s—a situation George paradoxically orchestrates but also seethes with contempt over. Early on, George notes that “nonsense is the meaning of life,” a welcoming nod to the good time that awaits readers.
Cacoyannis’ novel recalls Tom Stoppard’s play Rosencrantz and Guildenstern Are Dead in that beyond one uproarious moment when Jay and Andy have to stop George from hanging Ben with a makeshift noose, much of the action takes place offstage. The characters’ interpersonal conflicts and the fallout of Ben’s unscrupulous conduct are dealt with in the book’s consuming, sometimes volatile dialogue. But it is not just what the characters say that charms in each scene. Even minor acts, such as ordering drinks at a restaurant, reveal much about the players through their tics, pauses, and silences with an impressive thrift. The story employs a subtle absurdism in its comedy, crafting a world that could almost be real (most of these characters are writers, models, and artists, after all) save for the overwhelming volume of fun coincidences that even later disclosures cannot completely explain. One revelation encompasses a drunken automobile accident, a rare tonal misstep that goes largely unresolved. The tragedy seems far too grave because it directly involves George as opposed to the often comedic, criminal debauchery of Ben. Yet in a book of big, farcically dramatic moments, such as the fighting over the noose, Ben’s projectile vomiting, and Jay’s fainting from the heat like a Victorian protagonist, this level of seriousness is largely left by the wayside for more amusing fumblings by the brothers and their lovers.
A humorous and entertaining character study of two brothers besieged by the preposterous.Pub Date: Feb. 13, 2023
ISBN: 9798373946506
Page Count: 264
Publisher: Self
Review Posted Online: Jan. 16, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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