A rather strange but skillfully written study of a group of friends doing their best to get by.
In Cacoyannis’ novel, set in present-day London, a public relations exec struggles to find peace after the death of his beloved wife and finds some solace in his friends.
Just as Ollie Bridge is about to commit suicide by taking an overdose of pills with vodka, his friends cajole him into attending a poetry performance titled “They Them.” There, he meets the poet, a woman named Alex, but it turns out that the meeting is a setup—an attempt by his pals to bring him back from the brink and return him to life, as it were. It appears to work—not only for Ollie, but for Alex, as well. Her husband, Sam, actually did commit suicide, leaving her as bereft as Ollie, whose own spouse, Eden, died of cancer. “They Them” features Alex and a life-size puppet that represents Sam; Alex is a ventriloquist, and as she trades quips onstage with the avatar of her dead husband, a pervasive creepiness takes hold. Claudia Ellis, known to her friends as “Claw,” is a physician who treated both Sam and Eden, who was her true friend, and she has a casual attitude when it comes to prescribing pills. Rounding out the cast is Sigismund, Claw’s first husband, a historian who left her for one of his students, and Patrick, who becomes Claw’s second husband. Readers learn that Patrick and Sigismund once had a fling, as did Claw and Ollie; it’s clear that this is a group of friends with benefits.
Cacoyannis writes very well on a small canvas. His previous works have had elements of satire, though it may be a stretch to see this latest as having such; these characters appear, at least, to be very serious as the author puts them through their paces—perhaps too serious. But maybe that is the point: They’re all navel-gazers, well meaning most of the time, but self-absorbed nonetheless. They demonstrate a panoply of sexual variety, and bed-hopping is a recurring motif, with so-and-so being unfaithful with what’s-his/her-name with abandon. But to offset this, they all seem to be compulsive confessors; in fact, transgression followed by confession is shown to be a social tactic among this group, a strategy for leverage. Still, this is Ollie’s story and, true to the title, readers get such soliloquies as this: “Broken by the addition, I have now become one minus two: a subtraction—in amongst the blackened silhouettes, a hollow displacement of matter.” It’s no wonder his friends thought it prudent to get him a girlfriend. The preceding quote is just the first of many arithmetical maunderings. Still, readers will come to like Ollie and care about the outcome of his new love with Alex, which holds real promise. The story closes with Ollie and Claw in a kind of autumnal mood as old, genuine friends lob insights to one another like players in a slow-motion tennis match.
A rather strange but skillfully written study of a group of friends doing their best to get by.Pub Date: Feb. 29, 2024
ISBN: 9798873338832
Page Count: 271
Publisher: Self
Review Posted Online: Feb. 2, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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