Reid vividly depicts both her husband’s sickness and her own feelings of loss and guilt in this memoir.

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BODY AND SOUL

A MEMOIR OF LOVE, LOSS, AND HEALING

A recently widowed college professor looks back on her marriage and the death of her husband.

In 2015, Reid (Tillie Olsen, 2011, etc.) experienced “a loss that nearly destroyed my mind and life” when her husband, John Fischer, died after a four-month battle with a mysterious respiratory illness. She turned to writing about their marriage as a way of coping with her loss, and the result is worthy of comparison with classic memoirs of grief. The author, a professor of English, met Fischer on a visit to Louisiana State University in 1974, and they were married the following year. They were a devoted couple who shared a similar sense of humor and a passion for literature; Fischer was a leading scholar on the satirist Jonathan Swift. They would read the poems of Theocritus to their daughter and enjoy research assignments in England. The idyll ended after Fischer experienced spasms in his chest while shopping in January 2015. “Sat there until my lungs quit quivering,” he told her. Fischer’s death just four months later left the author “ravaged by guilt” and wrestling with a litany of things that she thinks she could have done to save him. But she found solace through writing the memoir and going on an African safari with her daughter, where their adventures “brought us close to nature, to each other, and to John’s spirit.” Throughout this book, Reid charts her spouse’s rapid physical decline with agonizing clarity—“John’s skin looked like a larger man’s hand-me-down bodysuit”—and she also makes convincing assertions that he was a victim of neglect by his doctors: “alarm bells should go off when doctors just keep offering the same hypotheses despite declining health,” she says. The author also points out that the best grief memoirs “provide both a powerful feel of the person lost and sharp insight into the writer herself.” Her own book passes that test with flying colors.

Reid vividly depicts both her husband’s sickness and her own feelings of loss and guilt in this memoir.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Wild River Legacy

Review Posted Online: March 24, 2017

Kirkus Reviews Issue: May 1, 2017

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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