Winner of 2015’s Prix Senghor for a debut novel by a Francophone writer, this compelling book raises important questions...

READ REVIEW

THE GARDENS OF CONSOLATION

Love, lust, and politics can sometimes exist harmoniously. They can also clash.

In the early 1920s, when Talla was 9 years old and living in Ghamsar, Iran, she married Sardar, a slightly older boy from the same remote village. Although it was an arranged marriage, in keeping with tradition, the two had eyed one another and approved the match. And although the union was not consummated until three years later—Sardar had big dreams and opted to travel to the nation’s capital and establish himself before settling into domesticity—by the time they moved to a Tehran suburb as husband and wife, it was clear to everyone that they were in love. There was heartbreak, too, as they lost one child and then another. Finally, in 1933, son Bahram was born. Not surprisingly, he became the apple of his parents’ eyes and was heavily indulged. Unlike his illiterate mother and father, Bahram attended school and excelled, eventually winning a scholarship to university. He also became a womanizer, and the novel charts the factors that led him there. The book is set against a constantly changing political milieu, and readers are made privy to the fall of the Qajar dynasty and the power grab of Reza Khan, who emerged as shah. Bahram’s support of socialist Mohammad Mosaddegh and Khalil Maleki, men who eschewed alliances with both Russia and the West, is posited in opposition to the ideas of Sardar and Talla, peasants unconcerned with politics. As they see it, life is unchanging; regardless of who is in power, they will toil and, later, revel in simple pleasures. The contrast is riveting.

Winner of 2015’s Prix Senghor for a debut novel by a Francophone writer, this compelling book raises important questions about indulgence, gender, community, and the impact of politics on everyday life.

Pub Date: Dec. 12, 2016

ISBN: 978-1-60945-350-3

Page Count: 272

Publisher: Europa Editions

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

Did you like this book?

No Comments Yet

With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

No Comments Yet

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Did you like this book?

No Comments Yet
more