Sadists will be engrossed by this chronicle of obscenities, but normal readers will find it gratuitous and nauseating.
A psychopath rapes and tortures dozens of women in this pornographic thriller.
New York publishing executive Roberto Sanchez receives a doozy of a pitch–a letter telling him that his missing sister Melina will be dismembered unless he gets the enclosed manuscript onto bookstore shelves within two weeks. He immediately prints thousands of copies of the book, a memoir of the pseudonymous Rush-Hour Madman’s exploits as a serial killer, and a preview of his plans for an upcoming terrorist spectacular. In lengthy excerpts from this text, the Madman recounts his sexual torture and murder, by whip and razor and fire, of countless young female victims, starting with classmates at his Long Island high school and moving on to Ohio University co-eds and Florida telemarketers–with Manhattan prostitutes and some Hong Kong club kids along the way. He kills men, too, but usually through the less personal method of bombing public places. Appalled by what he reads, Roberto contacts his ex-girlfriend Becca Willis, an investigative reporter. She begins sleuthing for the perp’s identity based on broad hints in the manuscript–so broad that the reader will spot the villain long before the slow-on-the-uptake Becca does. The Madman is a well-written, commanding figure. Veering between caustic drollery, grandiose preening and savage rage, full of contempt for the “faceless” denizens of ordinary life, he easily holds center stage. Unfortunately, the story finds him all too fascinating, so much so that it seems to share his perspective. As the title suggests, the narrative wallows endlessly in the gory details of the Madman’s atrocities and fairly throbs with lascivious delight at them. Whenever it strays from the fiend’s energetic perversions, the novel lapses into a perfunctory, sluggishly paced mystery peopled by pallid characters.
Sadists will be engrossed by this chronicle of obscenities, but normal readers will find it gratuitous and nauseating.Pub Date: Aug. 8, 2008
ISBN: 978-1-440-45916-0
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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