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ROMANCE IS MY DAY JOB

A MEMOIR OF FINDING LOVE AT LAST

In the end, it’s not romance but something more elusive that Bloom finds: intimacy. Romance may wane as the quotidian...

A veteran editor of romance novels at Harlequin delivers a witty memoir of her history with romance.

Unlike the novels she edits, her real-life relationships have been messy and the happy endings elusive. Bloom’s story begins at a private high school in Connecticut, when she invited “Harlequin-hero gorgeous” Kent to a formal dance only to be ditched, then rescued by the popular, “fiendishly cute” Sam, who swirls her around the dance floor and insisted they have their picture taken. The photo becomes an important factor later in the story. From high school to college to teaching to a successful editing career, readers follow the author’s quest for Mr. Right. She cleverly juxtaposes the conventions of romantic novels and movies with the challenges of maintaining a real relationship, avoiding maudlin territory. She chronicles her series of at-first-exciting but ultimately deficient boyfriends, and her encounters inspire a humorous contrast of romantic archetypes—“The Secretive Hero (Who May Be Hiding Something Really Bad),” “Dangerous and Sexy Alpha Male Heroes That Are Supposed to Have a Heart of Gold,” “The Beta Hero (Who Cooks and Isn’t a Tool)”—to their real-life counterparts. This is classic girls'-night-out dishing. Though the men in her memoir, with the exception of one, are more typecast than fully formed, the deeper thread here is the idea of self-evaluation and betterment. “This is the part of any romance novel that is never included, the mundane details, the forging ahead, the suffering that doesn’t involve pining for a boy,” she writes. Despite insecurities, Bloom, a survivor of a violent crime, reveals an inner strength and resolve to carry on.

In the end, it’s not romance but something more elusive that Bloom finds: intimacy. Romance may wane as the quotidian details of cohabitation intrude on hearts and flowers, but that’s when true love begins.

Pub Date: Feb. 6, 2014

ISBN: 978-0-525-95438-5

Page Count: 320

Publisher: Dutton

Review Posted Online: Nov. 25, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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