Kindl, who brought readers the perfectly droll Owl in Love (1993) and the magically metaphoric Woman in the Wall (1997), this time offers a winsome and wickedly funny fairytale fractured in multiple places. Taking elements freely from a handful—at least—of familiar fairytales, she's made one of energy and spirit and no small amount of high hilarity. When the tale opens, the Goose Girl, the narrator, is stuck in a tower, kept prisoner because she doesn't like her prospective marital choices. The Prince is sweet but dim; and the King is wicked and blackhearted. The Goose Girl, whose name is actually Alexandria Aurora Fortunato, has been blessed with a number of attributes that could be useful: her tears are diamonds, and when she combs her hair, gold dust falls from it. But, she finds this all to be a pain, and she suspects the royal men's interest in her stems from her profitability. She escapes the tower because her 12 geese rescue her, and she continues to have adventures fending off ogresses (one with two heads) and escaping from capture and imprisonment, alone as well as with the feckless prince, whose heart has led him in search of her and whose mouth gets them in deeper trouble with great regularity. The geese pop up regularly, too, and Alexandria's golden hair has a recurring role as an escape tool. When true love blossoms, the Goose Girl is found to be royal, and her geese freed to be her sisters once again, readers will rejoice. Running the gamut from quiet chuckles to laugh-out-loud guffaws, this promises delight in great profusion to generations of readers now and to come. (Fiction. 10-14)

Pub Date: March 1, 2001

ISBN: 0-618-03377-7

Page Count: 224

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin. The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyle’s narrative; others will believe it was the wrong choice. Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)

Pub Date: Sept. 12, 2006

ISBN: 0-385-75106-0

Page Count: 224

Publisher: David Fickling/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2006

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A bit of envelope-pushing freshens up the formula.


In honor of its 25th anniversary, a Disney Halloween horror/comedy film gets a sequel to go with its original novelization.

Three Salem witches hanged in 1693 for stealing a child’s life force are revived in 1993 when 16-year-old new kid Max completes a spell by lighting a magical candle (which has to be kindled by a virgin to work). Max and dazzling, popular classmate Allison have to keep said witches at bay until dawn to save all of the local children from a similar fate. Fast-forward to 2018: Poppy, daughter of Max and Allison, inadvertently works a spell that sends her parents and an aunt to hell in exchange for the gleeful witches. With help from her best friend, Travis, and classmate Isabella, on whom she has a major crush, Poppy has only hours to keep the weird sisters from working more evil. The witches, each daffier than the last, supply most of the comedy as well as plenty of menace but end up back in the infernal regions. There’s also a talking cat, a talking dog, a gaggle of costumed heroines, and an oblique reference to a certain beloved Halloween movie. Traditional Disney wholesomeness is spiced, not soured, by occasional innuendo and a big twist in the sequel. Poppy and her family are white, while Travis and Isabella are both African-American.

A bit of envelope-pushing freshens up the formula. (Fantasy. 10-15)

Pub Date: July 10, 2018

ISBN: 978-1-368-02003-9

Page Count: 528

Publisher: Freeform/Disney

Review Posted Online: June 17, 2018

Kirkus Reviews Issue: July 1, 2018

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