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THE CYGNET AND THE FIREBIRD

Not quite a sequel to The Sorceress and the Cygnet (1991), but set in the same intriguing fantasy world, and with some of the characters in common. Meguet, cousin of the sorceress Nyx, stands guard outside a council meeting at Ro Holding when a powerful sorcerer gains entry to the chamber. Although lacking magic herself, Meguet somehow is able to resist the sorcerer's spell—as is Nyx. The sorcerer, Rad Ilex, is searching for an ancient object of enormous magical power hidden, unsuspected, somewhere in the castle. But Nyx will not let Rad search without knowing what it is he hopes to find. Later, a magical firebird arrives, his fiery breath transforming people and things into jeweled trees, his outcries painful to hear. Then, in the moonlight, the firebird regains human shape, as his victims regain their forms. He is Brand, and—though he remembers little- -heir to the remote kingdom Saphier, which is ruled by his half- dragon father, Draken. Rad, returning, fights with Brand, is wounded, and flees, taking Meguet with him. Nyx, meanwhile, locates Rad's object: a magical key that contains the spells of the supremely powerful dead mage, Chrysom. So Nyx must travel to Saphier to find Meguet and resolve the mysteries of who ensorcelled Brand, why Rad and Draken are enemies, and what Rad and Draken really want, the latter apparently intent on awakening all the dragons slumbering in the eerie magical desert, Luxour. Often charming and inventive, but the plot runs out of steam about halfway through. Rather a disappointment after previous high standards.

Pub Date: Sept. 1, 1993

ISBN: 0-441-12628-6

Page Count: 240

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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