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AFTER THE BALL

GILDED AGE SECRETS, BOARDROOM BETRAYALS, AND THE PARTY THAT IGNITED THE GREAT WALL STREET SCANDAL OF 1905

Solid storytelling brought to bear on a dusty corner of financial history.

In which a proto-yuppie out of a Tarkington novel gets his comeuppance—sort of.

James Hazen Hyde, writes journalist Beard (Good Daughters, 1999, etc.), had it all: charm, good looks, and lots and lots of money. By his late 20s, bottom-feeding in a Wall Street run by the likes of J.P. Morgan, Alfred Vanderbilt, and E.H. Harriman, he had become a senior officer in the Equitable Life Assurance Society and a director of no fewer than 46 companies, all of which netted him an income so vast that he was able, in the early 1900s, to pay an annual upkeep on a mansion in the neighborhood of $100,000, complete with a huge collection of carriages and other toys. Just as perp-walked executives of today insist that they came by their fortunes honestly and poor accounting was to blame for company woes, Hyde protested his own straight-upness when, in the wake of a lavish party he threw in 1905, his comfortable world dissolved in a vast scandal; when the books were finally balanced, it was revealed that millions had gone missing, including $7 million alone in the mysterious category “for other disbursements.” Hyde high-tailed it to Europe, marrying well and producing a son who became a leading figure in the Cold War intelligence community. In his later years, clad in a cape and spats, the statute of limitations presumably up, he could be seen wandering the streets of New York; he made for good gossip, “and if he was an odd duck,” Beard writes, “he was also a sophisticated, entertaining, fascinating dinner partner.” Was he the Ken Lay of his time? The evidence is spotty, but Beard depcits well the Gilded Age and its spectacular excesses—and in an age of corporate scandal, it’s comforting somehow to know that legions of the crooked have gone before us.

Solid storytelling brought to bear on a dusty corner of financial history.

Pub Date: July 4, 2003

ISBN: 0-06-019939-3

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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