A vivid and intricate fantasy tale about the ties that bind and the conflicts between two realms.
The faery sphere and the human world collide in this third installment of a series.
The story opens with the loss of Celeste, the human who was raised with the faery Princess Nahia as if they were sisters. Celeste had chosen to remain in the human realm so she had lived a short life span instead of the longer one she could have experienced in the faery kingdom. Even in the wake of this grief, Nahia still has a rocky relationship with some of Celeste’s clan. When Nahia is invited to bestow a gift on a new baby in the family, a strange impulse comes over her, and she steals the child and takes him to the faery world, determined to keep him there. When this doesn’t work out, Nahia bides her time and devises another scheme, vowing to be with the man she thinks is destined for her. Lurking beyond these romantic endeavors and family squabbles is another huge threat to the faery kingdom. Ultimately, Nahia will have to make decisions about whether to break promises in order to save the faeries. The story covers many years, but each chapter heading details the time period for the reader’s benefit. The jumps through time can still be a little abrupt—for instance, Chapter 14 covers two pages and spans 14 years, and a notable child quickly goes from a baby to a young talking girl. The characters’ families are quite large, and the reader may need to draw a tree to keep track of them all. Ultimately, such complexities should appeal to readers who enjoy expansive fantasy worlds. In addition, Bossano’s (Cradle Gift, 2013, etc.) writing is beautiful and rich with detail (“She dove into the gnarled gullies and misty woodland on her way to Moon Dancer Lake”). Much of the novel takes place in Spain, and the setting is infused with Basque culture. The immediate conflict in the saga changes a few times—in Chapter 16, the faeries suddenly find themselves fighting for their lives. But the overarching themes of loyalty, family, and weighing one’s own desires versus the greater good remain throughout.
A vivid and intricate fantasy tale about the ties that bind and the conflicts between two realms.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Waterbearer Press
Review Posted Online: May 23, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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