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BLACK NOTICE

It’s fascinating to watch Scarpetta and her supporting cast, instead of growing, like V.I. Warshawski, become more and more...

            Virginia Chief Medical Examiner Kay Scarpetta has never liked Christmas, and this year, when she’s still mourning the death of her FBI lover Benton Wesley (Point of Origin, 1998), looks like her worst holiday season ever.  While she can’t identify or name the exact cause of death, the corpse found in a sealed shipping container aboard a cargo ship from Belgium is the least of her problems – even though Cornwell leads from strength by presenting one of her most extended (and unnerving) postmortems.  Just as Scarpetta and her longtime police ally Capt. Pete Marino are running into industrial-strength flak from Richmond’s new Deputy Chief, ambitious, manipulative Diane Bray, someone in Scarpetta’s office is sabotaging her more underhandedly:  a series of petty thefts is only the nuisance that finally awakens her to a fraud countermanding her orders and masquerading as her over the Internet.  And her niece Lucy Farinelli, an agent working out of Alcohol, Tobacco, and Firearms’ Miami office, is undercover with a bunch of seriously bad people.  The web of evil that binds all these plots together (think drug smuggling; think Interpol; think werewolves) isn’t believable for a minute, but expertly mired in Scarpetta’s fathomless professional battles, you won’t have a minute to think about it till you’ve turned the last page.

            It’s fascinating to watch Scarpetta and her supporting cast, instead of growing, like V.I. Warshawski, become more and more themselves, like Sherlock Holmes – especially in such a brilliantly paced adventure as this one. (1,000,000 first printing; Literary Guild/Mystery Guild main selection; $750,000 ad/promo)

Pub Date: July 1, 1999

ISBN: 0-399-14508-7

Page Count: 432

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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An addictive psychological thriller.

When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.

Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.

An addictive psychological thriller.

Pub Date: May 19, 2015

ISBN: 978-0-06-236225-4

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

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