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BEAR'S TRUCK IS STUCK!

From the Amazing Changing Pictures series

Despite the gimmick, likely to draw no more than flecks of interest from either truck fans or muck fans.

Can anyone help Billy Bear get his truck out of the deep mud?

No question about it, Billy’s truck is thoroughly mired—“The big wheels turn and spray and churn / in the thick and gloopy muck.” But the rhyme seems to be driving the plot rather than the other way round. Following a comical but random scramble in which a gaggle of eager sheep drives a tractor into the adjacent pond and Clara Cow tumbles down the hill with the farmer’s rake, all the animals get together to “push and pull,” “lug and tug” (pushing is all that’s going on in the art, though) until “the truck’s unstuck!” Despite lots of spattered mud in Truong’s neatly drawn pictures, somehow none of it sticks to either the truck or any of the animals except (sometimes) the pig. Moreover, four leaves feature framed dissolves that transform the cartoon scene when the cover or a large flap is lifted open, but the moving parts are so poorly integrated with the illustrations that odd fragments are left hanging on most of the tabs. As for the storyline, pull out Marie Hall Ets’ classic Elephant in a Well (1972) or any version of “The Great Big Enormous Turnip” for a better telling.

Despite the gimmick, likely to draw no more than flecks of interest from either truck fans or muck fans. (Pop-up picture book. 3-5)

Pub Date: Sept. 1, 2015

ISBN: 978-1-68010-001-3

Page Count: 14

Publisher: Tiger Tales

Review Posted Online: June 28, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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IF WE WERE DOGS

Perfect for every underdog who wants to have a say.

A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.

From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.

Perfect for every underdog who wants to have a say. (Picture book. 3-5)

Pub Date: Sept. 16, 2025

ISBN: 9780316581721

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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