Brimming with a contagious love of jazz and its first lady, this work brings down the house.
by Patricia Hruby Powell ; illustrated by Rachel Himes ‧ RELEASE DATE: Dec. 11, 2018
Lil Hardin, dubbed “the first lady of jazz,” gets a loving ode in this biography in free verse.
Raised by “Mama and Grandma / in Memphis, Tennessee, / two blocks from / wild, wailin’ Beale Street,” Lil was a precocious musician from childhood. But the night life of Beale Street with its “devil’s music” pulled her away from the proper, ladylike college life her mother wanted for her. She got a job at a music store and then won a place in an all-male band, an exceptional feat at the time. She met Louis Armstrong, a shy trumpet player, when they played in the same band. She told him he couldn’t stay playing second trumpet and was behind much of his success. “Dang, they were musical royalty— / inventing / a new kind of sound— / makin’ / jazz.” As she earlier demonstrated in Josephine (illustrated by Christian Robinson, 2014), Powell is a die-hard fan of jazz, and it shows in the hum of her lines. She writes in her introduction that she hopes this biography inspires readers “to explore early jazz—and makes you want to get up and dance.” On both counts, her writing succeeds. Himes’ ink-and-graphite illustrations are inspired by the time period and add to the immersive feel of the work.
Brimming with a contagious love of jazz and its first lady, this work brings down the house. (notes, timeline, glossary, resources, sources, index) (Verse biography. 8-14)Pub Date: Dec. 11, 2018
ISBN: 978-1-58089-740-2
Page Count: 96
Publisher: Charlesbridge
Review Posted Online: Sept. 30, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Saundra Mitchell ‧ RELEASE DATE: May 10, 2016
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 11, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Categories: CHILDREN'S BIOGRAPHY & MEMOIR
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by Shannon Hale ; illustrated by LeUyen Pham ‧ RELEASE DATE: Aug. 31, 2021
Shannon just wants to get through eighth grade in one piece—while feeling like her own worst enemy.
In this third entry in popular author for young people Hale’s graphic memoir series, the young, sensitive overachiever is crushed by expectations: to be cool but loyal to her tightknit and dramatic friend group, a top student but not a nerd, attractive to boys but true to her ideals. As events in Shannon’s life begin to overwhelm her, she works toward finding a way to love and understand herself, follow her passions for theater and writing, and ignore her cruel inner voice. Capturing the visceral embarrassments of middle school in 1987 Salt Lake City, Shannon’s emotions are vivid and often excruciating. In particular, the social norms of a church-oriented family are clearly addressed, and religion is shown as being both a comfort and a struggle for Shannon. While the text is sometimes in danger of spelling things out a little too neatly and obviously, the emotional honesty and sincerity drawn from Hale’s own life win out. Pham’s artwork is vibrant and appealing, with stylistic changes for Shannon’s imaginings and the leeching out of color and use of creative panel structures as her anxiety and depression worsen.
A likable journey that is sensitive to the triumphs and agonies of being a 13-year-old girl. (author's note, gallery) (Graphic memoir. 10-14)Pub Date: Aug. 31, 2021
ISBN: 978-1-250-31755-1
Page Count: 320
Publisher: First Second
Review Posted Online: June 11, 2021
Kirkus Reviews Issue: July 1, 2021
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