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OPEN HOUSE

OF FAMILY, FRIENDS, FOOD, PIANO LESSONS, AND THE SEARCH FOR A ROOM OF MY OWN

Tough and challenging ideas couched in disarming prose.

Legal scholar and Nation columnist Williams offers a stimulating mix of reminiscences and finely honed arguments as she tries to answer the question a friend once posed: Who is the one person she could never be?

Like most of her writings (Seeing a Color-Blind Future, 1998, etc.), this is fundamentally a work of serious intent, even though the illustrative anecdotes are often charming as well as apt. Employing the beguiling image of an open house whose rooms she associates with friends, family, and memories, Williams grapples in “The Boudoir,” “The Kitchen,” “The Outhouse,” and other essays with big questions—race, identity, burgeoning technology—while setting them firmly in the context of her own life. The story of how Great-aunt Mary passed for white when she married a Boston lawyer, for example, seems to Williams an example of how racial and cultural mixing, “nonconformist, embarrassing, and once illegal,” are nonetheless inherent aspects of American society. Her experience learning to play the piano in her 50s occasions recollections of the hostile reaction she received when asked to give the Reith Lectures on the BBC. Described as a militant black feminist who hates whites, she thinks such characterizations of black women are still very common on campus and in the law. Williams ponders the importance of O, the Oprah Magazine (maybe “romantic humanitarianism isn’t such a bad thing”); delineates her reactions to her son’s bout with Kawasaki disease (“I feel it as kind of permanent inner snowstorm”); and elucidates the significance of the names African-Americans gave their children after slavery was abolished, suggesting that some were intended to disguise their origins so that former owners could not find them. In school and in the wider world, she finds, African-Americans constantly battle stereotypes that lead whites to view them as impostors—or the help.

Tough and challenging ideas couched in disarming prose.

Pub Date: Nov. 8, 2004

ISBN: 0-374-11407-2

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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