by Patricia K. Davis ‧ RELEASE DATE: Dec. 1, 1999
Poor Charley Dickens! Things are not going well for him as he turns 30. His close friend and fellow club member, the eminent historian Thomas Carlyle, enjoys Charley’s windy hokum as a journalist but thinks he has no future in literature; besides, he’s living above his means, especially with four children and a fifth on the way. Charley’s venomous, bloodsucking father, John Dickens (no Micawber he), hits on his son’s empty pockets and whines about falling into debtor’s prison. Charley’s wife, Catherine, who keeps the family’s books, doesn’t have the heart to tell him before their dinner of moldy potatoes, stale bread, and stretched mutton that the bills can’t be met. Royalties are overdue from his publisher, Ledrook and Squib, Charley declares, but when he goes to see Squib he’s told that, well, in Hollywood terms, he’s lost his edge. There’s only one problem with his books, Squib tells him: “They don’t sell. They haven’t sold in a year. They are dead.— There are no royalties—in fact, his publishers have been carrying him. So when Charley comes to them with the tale of a miser’s regeneration, which he plans to write in six weeks and then have on the streets by mid-December for Christmas sales, Ledrook and Squib pretend skepticism. Why? Because they really think the story pure gold., but Charley wants to own it. And so it goes with Davis’s realistic, immensely enjoyable version of how Charley wrote A Christmas Carol. A much better book than another Christmas tale Dickens penned about this time (see The Life of Our Lord, below).
Pub Date: Dec. 1, 1999
ISBN: 0-312-24523-8
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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