Likable goofball Wally falls hard for aloof lingerie designer Imogene Gilfeather.
Their story told through a series of brief “chaplettes,” the mismatched lovers at the heart of this experimental comic novel have no business, and every reason, for being together. Described by a friend as a big “yes,” quirky scientist Wally Yez knows exactly what he wants when he spies a statuesque redhead at a party in Manhattan. Imogene’s reputation as an eligible designer of fine ladies undergarments precedes her, but a relationship with Wally is just about the last thing on her mind. A fiercely independent creature of habit, she is obsessed with her career and more-or-less happy with her married lover Ron de Jean, a well-known sleep researcher. She blows off a series of dates, but Wally does not give up easily, and the two begin an odd phone relationship that eventually leads to actual dates followed by cohabitation. Ambivalent on the best of days, Imogene is reluctant to marry, but slowly finds her will worn away by Wally’s persistence and the two end up in the suburbs, raising two radically different kids. Or do they? That is because Marx (Him Her Him Again the End of Him, 2007, etc.) does not exactly follow a conventional structure and liberally inserts herself into the narrative. But peppered among the drawings and self-consciously wacky asides emerges a poignant portrait of a long-term relationship, with all the disappointments and occasional triumphs that entails. Ideally suited to the kind of audience that enjoys Woody Allen movies, this very clever effort is, like its lead characters, something of an acquired taste. But Imogene, especially, impresses as a creation of far more depth than her ice-queen exterior would suggest.
A funny, sad and original take on the mating game.
Pub Date: Aug. 23, 2011
ISBN: 978-1-4391-0128-5
Page Count: 256
Publisher: Scribner
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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