Bites off more than it can possibly chew, then—poof—makes it all go away in the last 20 pages.
When a 10-year-old boy is murdered and a high school teacher is accused of molesting a student, a small Massachusetts town is rocked to its ignorant core.
In the prologue of Smith’s debut novel, a Little Leaguer named Leo Rivera is kidnapped by his next-door neighbor, an unprepossessing auto mechanic named Mickey Gilberto. Not long after, Leo’s corpse is found at the bottom of the river in a plastic container. Meanwhile, lesbian Deirdre Murphy, a dedicated and popular French teacher at a private girls’ school, has been canned because an uptight mom witnessed her daughter planting an unsolicited kiss on the teacher’s lips. These two events tangle in the public imagination to produce a citywide outbreak of homophobia and a weirdly nonsuspenseful witch hunt, since the reader already knows who did and didn’t do what to whom. On the same day Deirdre loses her job, her librarian partner, SJ, attempts to break off their relationship, though bad timing prevents the severing of the limp connection. SJ has also recently received a problematic smooch—hers from the murderous pedophile Mickey Gilberto, whom she’s been tutoring in reading at the library. Even after the unasked-for kiss, she can’t help thinking he’s a nice guy. Alienated as they are, Deirdre and SJ can give each other no support as they endure their twin trials; each mentally muddles through her own back story and future prospects as she becomes the focus of police and public suspicion. The most promising part of this book is the depiction of Deirdre’s teaching, but it's buried under an avalanche of half-baked elements: police work on the two cases, unconvincing letters to the local paper, two-dimensional supporting characters, and unwarranted allusions to The Scarlet Letter. “How did Hester Prynne do it? she wondered. How did she face the town with her quiet pride and go on living her life, raising Pearl, not minding what anyone said or did? Deirdre didn’t think she had the strength in her.”
Bites off more than it can possibly chew, then—poof—makes it all go away in the last 20 pages.Pub Date: Jan. 3, 2017
ISBN: 978-1-61775-487-6
Page Count: 320
Publisher: Kaylie Jones/Akashic
Review Posted Online: Oct. 4, 2016
Kirkus Reviews Issue: Oct. 15, 2016
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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