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ADVENTURES OF A RESTAURANT FAMILY

And would she ever make them proud in these pages. Emotionally luxurious and heart-gladdening. (22 photos)

Novelist/essayist Volk (White Light, not reviewed) pens a stylishly written memoir that’s really a series of portraits of the memorable characters who make up her extended family.

It’s a simple approach, if you can pull it off: one beguiling vignette after another, and a good number of welcome reprises. Volk’s classy prose, as smooth on its wheels as a Bentley, makes it work like a wonder. Hers is a Jewish, New York City restaurant family whose members conducted a high-octane love affair with one another—well, all except for Aunt Lil, who “went through life thinking she got the small half.” There are the distant relatives who glitter like stars in the family firmament: the paternal great-grandfather who brought pastrami to New York City in 1888, the aunt who sported the “Best Legs in Atlantic City” in 1916. There’s the woman who worked for them: “It was a bizarre New York Jewish sensibility that we could somehow protect Millie from prejudice by never acknowledging there was such a thing as color.” But mostly there is the benign despot of a father, a godhead, a man who inspires such love in Volk that it aches; the glamorous mother who cooked only one dinner Volk can remember (it tasted like licorice roast); and the sister with whom she fought sibling trench warfare, who has incontrovertible proof that her bones are big (she had them measured by electrodes) and who packs the kind of worldly wisdom that sets reality squarely in sight: “I know every diet. Here’s the trick, okay? Here’s all you have to know: Eat less.” Volk’s conclusion? “They were mine, I was lucky to have them.”

And would she ever make them proud in these pages. Emotionally luxurious and heart-gladdening. (22 photos)

Pub Date: Oct. 11, 2001

ISBN: 0-375-41106-2

Page Count: 272

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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