by Patricia Weitz ‧ RELEASE DATE: Jan. 1, 2009
A deft, modest coming-of-age tale from debut author Weitz.
Fragile coed with working-class roots struggles to come out of her shell during her last year at an East Coast university.
Pretty and smart (even though she has trouble seeing it), 20-year-old Natalie Bloom has managed to make it to her senior year at UConn with an impressive GPA—and her virginity intact. Good grades are paramount to the Russian history major, who is the youngest of seven children, none of whom except her made it to college. Natalie is a transfer from a community college, making her a bit out of step with the cool kids on campus. Everything changes when she reluctantly agrees to start seeing lanky, Saab-driving Patrick. At first he behaves like an interested beau, but after they have sex, he begins basically using her for her body. Natalie becomes obsessed with him, and her self-esteem, never strong to begin with, plummets. Distracted and ill-equipped to handle her conflicting emotions, she watches helplessly as her grades suffer. Rebuffing the kindhearted professor and classmates who try to reach out, Natalie behaves erratically: She starts to smoke and crops off her long dark hair in an effort to be “ugly.” Her self-destructiveness reaches a moment of epiphany during winter break when, after a particularly humiliating episode with Patrick, she realizes how much of her experience has been colored by the suicide of her beloved older brother Jacob. Her only hope for happiness is to change the dysfunctional patterns of her life. Both cringe-worthy and compelling, self-absorbed Natalie will remind many readers of their own awkward youth. The depiction of her closed-off, emotionally abusive blue-collar family, however, is at times too broad.
A deft, modest coming-of-age tale from debut author Weitz.Pub Date: Jan. 1, 2009
ISBN: 978-1-59448-853-5
Page Count: 336
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2008
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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