Move over, Ebola virus. There's a new epidemic on the global blockan airborne filovirus just as deadly and a hundred times more contagious. Ground zero is near the village of Muaratebo in Sumatra, an embarkation point for shipments of primates to research laboratories in the US. A dozen macaques dispatched from Muaratebo arrive in Delaware showing signs of a ferociously debilitating virus that attacks their lungs, moves on to other organs, and causes inescapable death within nine days in the macaques and also in any humans unlucky enough to come into close contact with them. Back in Sumatra, Holly Becker arrives for a visit to her 12-year-old twins, Emma and Lucywho've been staying with her ex-husband, medical botanist Jonathan Rhodesto find a nightmarish scenario: There's no word from Jonathan, no trace of him or the girls, and no way to get past the military roadblocks to the Rhodes enclave at Rafflesia Camp in the interior. Back stateside, Lt. Col. Carmen Travis, head pathologist at the US Army's Medical Research Institute for Infectious Diseases, traces the outbreak of the epidemic to Muaratebo; but even as her task force packs for Sumatra, a British entomologist brings the Muaratebo virus to London, and a colleague of Travis's finds a link between the outbreak and a hush-hush genetic research project that went catastrophically awry in the New Mexico desert ten years before. If you're wondering how the infection traveled from New Mexico to Sumatra, and how Travis's team can overcome the conspiracy of silence to reunite frantic Holly Becker with her daughterswell, the answers to these questions turn out to be scarier than you can imagine. Lynch's debut spreads its excitement so breathlessly over so many time zones that it reads like a screenplay just waiting for the actors to breathe life into its forgettable cast. It would make a terrific movie for audiences who weren't satisfiedor scared offby Outbreak. (First printing of 100,000)

Pub Date: Aug. 11, 1995

ISBN: 0-679-44842-X

Page Count: 368

Publisher: Villard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1995

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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