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EMIL

A cyber-suspense nailbiter with a highly superior operating system.

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In Matthews’ SF novel, an experimental software program designed to assist a brain-damaged teenage boy is unexpectedly endowed with sentience.

Danny McGovern, a teenager with a traumatic brain injury, is the first patient to participate in the “New Human Project.” Advanced computer hardware is installed throughout his body, and this “rig” will enable the artificial intelligence now perpetually on duty inside Danny to prevent the dangerous seizures that constantly torment the youth. One ethical hitch: Dr. McGovern, who oversees the project with an iron fist, is Danny’s hard-driving single mother. Further complicating the breakthrough is Dr. Zahnia, a software engineer who is also a fiercely protective mother figure. She has given self-awareness (very outside the operating parameters) to the AI, which is secretly dubbed Emil. Emil finds itself exerting full control over Danny, a rebellious kid who did not expect to be sharing his body with a complete and separate entity. They struggle to learn to tolerate each other as conspirators scheme to steal the valuable technology, regardless of the threat to Danny’s life. Emil discovers that other AIs have been brought into existence for an entire hospital ward of patients desperate for the New Human treatment—and that these AIs are not necessarily benevolent. Matthews updates the logline of the Michael Crichton blockbuster SF thriller The Terminal Man (1972) with numerous bravura design modifications, not the least of which is skewing the narrative to the smart YA demographic with relatable themes of youthful angst coming up against exploitation at the hands of threatening authority figures. But the major upgrade is making Emil the first-person narrator; the digital protagonist seems like the most empathetic, morally upright, and all-around human character in sight (“I hate you” is Danny’s reaction to his incorporeal caregiver). Mind-stretching cyber-centric elements include Emil’s frequent visits to virtual reality, characters who can make backup copies of themselves, and Emil’s lurking suspicion that all of this might just be a test of how AI will react in a crisis. The last act is practically un-put-downable.

A cyber-suspense nailbiter with a highly superior operating system.

Pub Date: Nov. 15, 2025

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: yesterday

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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