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ALFRED HITCHCOCK

A LIFE IN DARKNESS AND LIGHT

Master-ful. (32 pages b&w photos, not seen)

The Master of Suspense finally gets an authoritative life.

From his subtitle to his closing remarks, McGilligan (Clint: The Life and Legend, 2002, etc.) makes no secret of his agenda: to correct the excesses of Donald Spoto’s notorious The Dark Side of Genius, which presents a Hitchcock whose deepest creative energies were driven by fear, lust, and sadism. McGilligan’s Hitchcock, though not above hitting on actresses from Joan Fontaine to Brigitte Auber, is a devoted family man, generous to his relatives, generally kind to his associates (very few examples of his well-known proclivity for practical jokes on display here), level-headed in most of his business decisions, and always the consummate professional. From the short stories he published for his engineering firm’s trade magazine around 1920—material on which McGilligan is especially illuminating—to the trademark cinematic motifs (absurd MacGuffins, dominating mothers, staircases, light-footed shifts from comedy to melodrama) he recycled from film to film, Hitchcock comes across as inveterately playful, determined not so much to exorcise his private demons as to give audiences a shiveringly good time. Most of the colleagues who worked on the early British films from The Pleasure Garden (1925) to Jamaica Inn (1939) are no longer available to interviewers, but McGilligan, who has spoken with everyone available, taps as well into a torrent of Hitchcock scholarship, supplemented by explorations of numerous archives. His research is staggering, though often vaguely or incompletely documented. Apart from providing one-stop shopping for information on masterpieces from The 39 Steps to Psycho, he provides fascinating new insights on the origin of the sobriquet “Master of Suspense,” the identity of the first Hitchcock blond, even such a forgettable film as Torn Curtain, from Hitchcock’s abortive attempt to rope Vladimir Nabokov into writing the screenplay to the actual screenwriters’ race to remove their names from the finished film’s credits.

Master-ful. (32 pages b&w photos, not seen)

Pub Date: Oct. 1, 2003

ISBN: 0-06-039322-X

Page Count: 832

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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